Also designated Poetry Newslettet Special Issue (PNSI) 24. The pages reproduce abstract woodblock prints. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner gift of "Rayonist Composition" by Mikhail Larionov, gifts to the department of drawings, and "a substantial number of rare small-edition artist periodicals" to the library are acknowledged. Marvin Sackner's membership on the Library Committee is also mentioned. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Julius Schmid and Gustav Klimpt. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Michelangelo Anselmi and Titian. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Piet Mondrian and Johannes Itten. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Patrick Symons and Augustus John. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the painting is by Rembrandt van Rijn. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Thomas Hudson and Phillip Mercier. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Van Gogh and Cezanne, -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Van Poelenburgh, Fillippino Lippi, and Dioskourides of Samos. -- Source of annotation: Marvin or Ruth Sackner.

Music in Art through the Ages was originally published as fifty essays in BBC Music Magazine. Tom Phillips contributes an introduction in which he describes musical themes, instruments, portraits of musicians, music lessons, musical scores, and abstract compositions. Analyzing specific works of art and relating them to musical history, Phillips presents a lively and informative insight into the two important aspects of his own creative life. He writes, Art is in love with music. I trust it has everywhere been apparent that I am in love with them both." -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the painting is by Arnold Schoenberg -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Hans Holbein and Harmen Steenwyck. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Jean-Baptiste Chardin and Georges Braque. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Gil Kane and Albert Pinkham Ryder. -- Source of annotation: Marvin or Ruth Sackner.

This series of essays is Phillips' project that is based on music in art through the ages. For this issue, the paintings are by Philippe Mercier and Johann Zoffany. -- Source of annotation: Marvin or Ruth Sackner.

The box also contains small scraps of paper labeled "Art Litter." -- Source of annotation: Marvin or Ruth Sackner.