This book is profusely illustrated with line drawings and written texts. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Chiara Diamantini. The first section, Fe/Mail Art, consists of works done solely by women artists. The second section, Dedicato Donna, consists of works made by both male and female artists whose images all contain women either in a realistic, abstract or concrete poetic mode. -- Source of annotation: Marvin or Ruth Sackner.

Depicts different views of the nose. -- Source of annotation: Marvin or Ruth Sackner.

This issue is subtitled "We all love watching tricks, as long as the trick is not on us." -- Source of annotation: Marvin or Ruth Sackner.

This issue is subtitled "Some tell the truth. All tell lies." Two facing pages reproduce patent medicine and device advertisements of the late 19th to early 20th century that now would be considered quakery. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was edited by Mark Coetzee, curator of the Rubell Family Collection. -- Source of annotation: Marvin or Ruth Sackner.

The book has the shape of a shirt with collar and plastic hankerchief in the pocket. Its theme is clothing. -- Source of annotation: Marvin or Ruth Sackner.

The pages reproduce quick sketches of figurative, surrealistic images. -- Source of annotation: Marvin or Ruth Sackner.

Thia issue mainly deals with optical art imagery. -- Source of annotation: Marvin or Ruth Sackner.

This is the galley proof of book with handwritten corrections and additions. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing"-book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

The labels depict photographs of Nannucci's books, neons, magazines, postcards, objects and were meant to be affixed to pages of the first fold-out book. Templates with designation of the specific label appear on these pages. The text of the second fold-out book deals with critical analysis and documentation of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The images deoict reddish orange squares with centered varied colored circles. -- Source of annotation: Marvin or Ruth Sackner.

The images depict muted pink squares with centered red and pink colored circles. -- Source of annotation: Marvin or Ruth Sackner.