Visual art
Found in 5482 Collections and/or Records:
One of a Kind Post Card / Jackman, Sandra., 1984
Jackman thanks the Sackners for purchasing her work (1984) and informs them that she can see them in NYC. -- Source of annotation: Marvin or Ruth Sackner.
One of Many - Origens and Varients / Ruppersberg, Allen ; Roussel R ; Vida-Spence J ; Zellen J ; Moss B., 2006
Vida-Spence is a California psychoanalyst/art collector who contributes a long essay to this catalogue mentioning Jody Zellen and Brian Moss, two artists whose works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
One Original and 20 Modifications / spence, pete., 1998
One Plus or Minus One / Stevens, Mary ; Lippard L., 1988
This catalogue documents is a feminist installation piece. -- Source of annotation: Marvin or Ruth Sackner.
One + Two (Collaborative Print Project) / Dellafiora, David, editor ; Iacovella, Anita, editor ; Lakner S ; Janke E ; Baroni V ; Lagerwerf M ; Bennett JM., 2014
In May 2004 printmaker Anita Iacovella and mail artist David Dellafiora undertook a series of printmaking workshops with young people. Each young artis tmade an edition of two prints, one unique to the maker and the other to be 'added' to by an artist from the Mail Art Network. Both prints were displayed along side each other at the Geelong Old Post Office and the Grovedale Neighbourhood House. -- Source of annotation: Marvin or Ruth Sackner.
Only Mail Art / Cauli, Torma., 2013
The images on the pages consist of reproductions of collages. -- Source of annotation: Marvin or Ruth Sackner.
On/Off. No.1 / Anonymous, editor ; Jardim E ; Plaza J ; Keppler R ; Valcarcel-Medina I ; Toledo A ; Lemos F ; Matuck A ; Tozzi C ; Silveira R ; Pacheco e Chaves A., 1974
Op Papier 2008 - 2010 / Werbachowska, Alicja ; Sackner MA ; Sackner RK., 2011
The Sackner Archive is listed as containing Alicja Werbachowska's work. The letter accompanying the catalogue from Galeria Wit was written in appreciation. -- Source of annotation: Marvin or Ruth Sackner.
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening: An Excerpt from Code. No.5/Sep / Franciszkca Themerson ; Stefan Themerson., 1965
The card has two pop-ups, viz., the upper half a caricature of a face an the lower half a poem dealing with doves and magic. -- Source of annotation: Marvin or Ruth Sackner.
Opening an Opening / Moss, David., 2013
David Moss writes in the brochure that "this work was inspired by the blue gates and doors of Zefat...an unspoken metaphor hovers over this ancient custom of painting entrances blue in Zefat...the text of this little book is the well-known verse of Psalms 118:19: "Open for me the gates of righteousness; I shall enter them and I shall praise God." The abstsract Hebrew letters of this verse are uniquely designed by Moss to fit into the four gate-like papercuts. -- Source of annotation: Marvin or Ruth Sackner.
Opera Africane Vol.1 / Miccini, Eugenio ; Sarenco., 1989
Opera Buffa (Cosi Fan Tutte - Mozart), 1989
Opera del 1962 al 1999 / Novak, Ladislav., 2007
Opera Testualez: la scrittura dell'opera / Oberto, Martino., 1979
[Optical Circle] / Depew, Wally., 1998
Optimismo Radical / Bienvenu, Josee ; Bruscky P ; Camnitzer L., 2010
Opuslogik / Caruso, Luciano., 1972
Ora Blu / Della Casa, Giuliano; Vangelisti, Paul; Spatola A., 1981
Oraisins O Chateaux: Chateau Suduiraut Sweet Du Roy / Phillips, Tom., 1986
The images in the print consist of a drawing of the wine chateaux in the center bordered by four Humument fragments of images of vines with texts that read, "o autumn o red chateau wine; crossing time in a bottle; true companions, the grape, and art; a label for a bottle of art." -- Source of annotation: Marvin or Ruth Sackner.