Visual art
Found in 5482 Collections and/or Records:
Oraisins O Chateaux: Chevalier The Steinway of Wines / Phillips, Tom., 1986
The images in the print consist of a drawing of the wine chateaux in the center bordered by four Humument fragments of images of vines with texts that read, "the light in bottles emphasized a dream; glasses of music; o red wine of the luxuries of happy retrogression deep deep; true companions, the grape, and art." -- Source of annotation: Marvin or Ruth Sackner.
Oraisins O Chateaux: O Ho Bryan Chateau Haut Brion / Phillips, Tom., 1986
The images in the print consist of a drawing of the wine chateaux in the center bordered by four Humument fragments of images of vines with texts that read, "o autumn o red chateau art; crossing time in a bottle; o red wine of the luxuries of happy retrogression deep deep; true companions, the grape, and art." -- Source of annotation: Marvin or Ruth Sackner.
Oraisins O Chateaux: O Lafite O Cardinal Ambrosia / Phillips, Tom., 1986
The images in the print consist of a drawing of the wine chateaux in the center bordered by four Humument fragments of images of vines with texts that read, "o autumn red chateau art; this light in bottles emphasized a dream; true companions, the grape and art; o red wine of the luxuries of happy retrogression deep deep." -- Source of annotation: Marvin or Ruth Sackner.
Oraisins O Chateaux: Olynchnagnes First Cru In Space / Phillips, Tom., 1986
The images in the print consist of a drawing of the wine chateaux in the center bordered by four Humument fragments of images of vines with texts that read, "o autumn o red chateau art; chief in the world Our bottles of velvet; o red wine of the luxuries of happy retrogression deep deep; a label for a bottle of art." -- Source of annotation: Marvin or Ruth Sackner.
[Oral Sex] / Depew, Wally., 1975
This is a collection of line drawings depicting oral sex. -- Source of annotation: Marvin or Ruth Sackner.
Orange Globe / Tuttle, Richard., 1985
Oratorio Pour La Nuit De Noel [Facsimile] / Leveque, Marc Sabathier ; Picasso P., 1987
Oratorio Pour La Nuit De Noel / Leveque, Marc Sabathier ; Picasso P., 1955
Oregon Biennial / Thompson M., 1991
Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967
The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
Orientalia Rheno-Traiectina (140567) / Dom Sylvester Houedard., 1967
The white paste is streaked with red abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
Orientations: Space/Time/Image/Word / Cluver, Claus, editor ; Plesch, Veronique, editor ; Hoek, Leo, editor ; Boltanski C ; Kamensky V ; DeCampos A ; Pignatari D ; Xisto P ; deSouza EA., 2005
This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
[Original Postcard Work] , 1981
Ornamental Design / Depew, Wally., 1985
The paper base for this drawing is a sketchbook page. The forms with their descriptive colors are reminiscent of American Indian designs. -- Source of annotation: Marvin or Ruth Sackner.
Orte-Wege-Nomaden / Hainke, Wolfgang ; Monro, Niall ; Olbrich, Jurgen O. ; Ruch, Gunther ; Rungenhagen, Ulf ; Stake, Chuck ; Stirnemann, Manfred Vanci., 1986
Orworks. No.152 / Don Milliken., 1991
Ottava Ring / Helmes, Scott., 2009
Our Lady 1 / Houedard, Dom Sylvester., 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady 2] / Houedard, Dom Sylvester., 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.