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Visual art

 Subject
Subject Source: Sackner Database

Found in 5482 Collections and/or Records:

[Our Lady Abstraction 3] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55328-9999077
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

[Our Lady Abstraction 4] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55334-9999081
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

[Our Lady Abstraction 5] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55340-9999087
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

[Our Lady Abstraction 6] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55362-555333
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

[Our Lady Abstraction 7] / Houedard, Dom Sylvester., 1953

 Item
Identifier: CC-55363-753226
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Ourside: Land-art und Objekkunst / Kuhn C., 1999

 Item
Identifier: CC-37431-39284
Scope and Contents

This exhibition was organized by 14 artists and installed on the grounds of a psychiatric clinic. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Over Easy / Sackner, Sara., 1979

 Item
Identifier: CC-59860-10002915
Scope and Contents

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Oyvind Fahlstrom, 1979

 Item
Identifier: CC-11155-11370
Scope and Contents

Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Oyvind Fahlstrom, 1980

 Item
Identifier: CC-11156-11371
Scope and Contents

This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Paar / Schmidt SJ., 1992

 Item
Identifier: CC-04353-4434
Scope and Contents

Includes reproduction of Schmidt's sculpture, "Dialog der Steine der Weisen" (1986) that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992