Visual art
Found in 5471 Collections and/or Records:
Archive for Panzer Leader: Bronze Tortoise for Battersea / Finlay, Ian Hamilton; Grasby, Richard., 1977
Archive for Panzer Leader / Finlay, Ian Hamilton; Grasby, Richard., 1976
The drawings were preparatory for a garden sculpture in Stonypath as documented in the photograph. One drawing depicts the Panzer Leader, a turtle with the title inscribed on its shell, head on, and the other, two drawings with top and side projections -- Source of annotation: Marvin or Ruth Sackner.
Archive of da levy Correspondence / Swanberg, Ingrid Markhardt; Wagner Dr., 1968
Ingrid Swanberg comments on a photocopy of an envelope depicted in one of the folded sheets: Marvin - all the following were enclosed in this envelope, which I received a week or so after levy's death. Note: no return address [however, it is postmarked San Francisco]. See my essay "No Last Words." The Archive includes a letter to Dr Wagner in 1968, raw material clipped from magazines for potential collages, Buddhist art images and a letter to an unidentified recipient. -- Source of annotation: Marvin or Ruth Sackner.
Archives of the History of Art. Fall / Apollinaire G ; Bayer H ; d'Albisola T ; Depero F ; Hausmann R ; Lissitzky E ; Marinetti FT ; Schwitters K ; Zwart P., 1985
Publication lists partial holdings of the collection. -- Source of annotation: Marvin or Ruth Sackner.
Archivos de Texto e Imagen / Suarez, Mario ; Banana A., 2000
The Sackner Archive holds a painting by Suarez, "Brasil: Mentida la Verdad (Layed the Truth)." -- Source of annotation: Marvin or Ruth Sackner.
Argentines in Our Midst / Presser E., 1989
Mention is made that the works of Elena Presser are in the Sackner Archive. "Beautiful Dreamer" a sculptural work held by the Sackner Archive was shown in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Aria (Mozart), 1989
Ars Media. No.212., 1977
Art: 11 Artists at Odds with the Prague Regime / Russell, John; Novak L., 1980
Art and Life / Rauschenberg, Robert ; Cage J ; Johns J., 1990
Art and the Future / Davis, Douglas ; Duchamp M ; Schwitters K ; Picabia F ; Lissitzky E ; Popova L ; MacLow J ; Stern G ; Paik NJ ; Metzger G ; Watts R ; Kaprow A ; Cage J., 1973
Art & Antiques. No.3/Mar / Sackner MA ; Sackner RK., 2002
Ruth and Marvin Sackner are listed among "America's Top 100 Collectors" as collectors of art with text and artists' books. -- Source of annotation: Marvin or Ruth Sackner.
Art & Antiques. No.71/Sum / Sackner MA ; Sackner RK ; Austin T ; Laffoley P ; Kriwet F ; Furnival J ; Noel A ; Lewty S ; Grayson R ; Miller L ; Minsky R ; Tipping R ; Presser E ; Mabe J ; Vater R ; Mallarme S ; Berry J ; Crumb C ; Mutel D ; Sloy ; Helmes S., 1999
Tom Austin wrote an essay, "The Power of the Pen," in which he describes the Sackner Archive as the world's largest privately held collection of text art. The essay is illustrated with eight colored photographs by Chris Little. -- Source of annotation: Marvin or Ruth Sackner.
Art as Nature / Lessick, Helen., 1992
Art at Auction 1997-1998 / Sotheby's ; Nauman B ; Basquiat JM ; Apollinaire G ; Apianus P., 1998
Petrus Apianus' illustrated book, "Astronomicum Caesareum" (1540) is depicted and described. The Sackner Archive holds a facsimile edition of this work. The catalogue entry of this original masterpiece states: "This copy is a magnificent example of 16th-century bookmaking. The Astronomicum Caesareum contains a broad analysis of Ptolemaic astronomy and is notable for Apianus's pioneering observations on comets, particularly his discovery that comets always point their tails away from the sun. The elaborate folio includes more than 100 woodcut and typographic diagrams, vignettes and illustrations in the text, many with movable type." -- Source of annotation: Marvin or Ruth Sackner.
Art at the Edge of the Law / Benes BL ; Friedman T ; Lombardi M ; Prince R ; Sachs T ; Tomaselli F., 2001
Each page needs to be opened along the vertical perforation to see the images. -- Source of annotation: Marvin or Ruth Sackner.
Art Basel / Miami Beach / Acconci V ; Anderson L ; Andre C ; Arman ; Art & Language ; Banner F ; Bartlett J ; Basquiat JM ; Ben ; Bing I ; Bloom B ; Boetti A ; Boltanski C ; Broodthaers M ; Bruly-Bouabre F ; Brus G ; Carra C ; Chashnik IG ; Conner B ; Crotti J ; Darboven H ; Delaunay S ; Duchamp M ; Ernst M ; Erro ; Finlay IH ; Friedman T ; Goldsmith K ; Goncharova N ; Grosz G ; Hains R ; Hansen A ; Holzer J ; Horn R ; Jorn A ; Jensen A ; Janco M ; Johns J ; Kabakov I ; Kawara O ; Kippenberger M ; Klee P ; Klucis G ; Kolar J ; Kosuth J ; Kruger B ; Kuitca G ; Larionov M ; Lebel JJ ; Leger F ; Leirner J ; Lipski D ; Lissitzky E ; Malevich K ; Ray M ; Manzoni P ; Martin K ; Michaux H ; Neshat S ; Oldenburg C ; Ono Y ; Picabia F ; Popova L ; Rauschenberg R ; Reinhardt A ; Rodchenko A ; Roth D ; Rozanova O ; Ruscha E ; Schendel M ; Schwitters K ; Severini G ; Spoerri D ; Sprinkle A ; Steinberg S ; Stepanova V ; Suetin N ; Survage L ; Tapies A ; Telingater S ; Tobey M ; Tomaselli F ; Tunga ; Tuttle R ; Twombly C ; Udaltsova N ; Warhol A ; Weiner L ; Wiley WT ; Solar X ; Young P ; Zush., 2001
The paper strip on the cover notes that the annual art event was postponed until 2002 because of the events of September 11, 2001. -- Source of annotation: Marvin or Ruth Sackner.