Visual art
Found in 5464 Collections and/or Records:
Visual Poetry and Paintings / Morris, Stephen., 1973
Visual Poetry and Paintings / Morris, Stephen., 1975
Visual Poetry Collaboration. No.18, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices;The Traditional poem as Postmodern Transformer; pages 106--107 / Weiss, Irving., 1994
This poem is based upon John Lydgate(1370-1451?), from The Dance of the Death. -- Source of annotation: Marvin or Ruth Sackner.
VisualKultur.cat / Vincenc Altaio, curator ; Daniel Girait-Miracle, curator ; Tapies A ; Dali S ; Brossa J ; Miro J ; Rossell B ; Roth D ; Plensa J ; Mirazaev A ; DeVree F ; Pazos C ; Altaio V ; Jaar A., 2007
This exhibition consisted of Catalan artist books, periodicals and graphic designs. The Sackner Archive holds three of the artist books depicted in this catalogue, viz., Brossa and Mikro's 'Oda a Joan Miro,' Zush and DeVree's 'Evumonie Ceremonie Cephalique,' and Oazos and Altaio's 'l'amour latent.' The Sackner Archive also holds several issues of the periodical, 'Neon de Suro' that are depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Vita Communi / Houedard, Dom Sylvester., 1952
In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Vita / Gerlovina, Rimma; Gerlovin, Valeriy., 2002
The artists sent this contact print from one of their last works that was photographed around Marvin Sackner's birthday. Rimma is the subject with her long, curled hair and her hand holding a red string that penetrates her hair and spells out the word "vita" over her left shoulder. In the letter to Marvin, fastened to the back of the matted photograph, The Gerlovinas write, "Ars longer, vita brevis said the elders, you try to prolong both 'vita' with your profession and 'ars' with your collection." -- Source of annotation: Marvin or Ruth Sackner.
Vite, la Nuit Fleurit / Pelieu, Claude., 1994
Viva Vagina: Eine Frau Reflektiert Die Situation Der Frau / Pezold, Frederique., 1973
Also designated No.26 of series by Reflection Press. Frederique Pezold was a menber of Herman Nitsch's OM theater. Edited by Albrecht D. -- Source of annotation: Marvin or Ruth Sackner.
Voce. No.9 / Sarenco ; Arias-Misson A ; Vigo EA ; Aubertin B ; Soffici A ; Henry M ; Miccini E ; Duchamp M ; Kolar J ; Bory JF ; Manzoni P., 1990
Vocrescends, 1990
Void! Magazine. No.8 / J2 illegible, editor ; Black B., 1974
Voix / Garnier, Pierre ; Segay, Serge., 1994
The cover and the pages are painted red. -- Source of annotation: Marvin or Ruth Sackner.
[Vol.1] / Bohmler, Claus., 1983
This consists of a facsimile book of sketches. -- Source of annotation: Marvin or Ruth Sackner.
[Vol.2] / Bohmler, Claus., 1983
A book of collages, images, dealing with numbers, letters, puzzles. -- Source of annotation: Marvin or Ruth Sackner.
[Vol.3] / Bohmler, Claus., 1983
[Vol.4] / Bohmler, Claus., 1983
A book of sketches dealing with the Norbert Schimmel Collection. -- Source of annotation: Marvin or Ruth Sackner.
Volumes / Bart, Harriet., 1992
Volumes I & II / Beard, Peter ; Warhol A., 2008
Volumes I & II were edited by Nejma Beard and David Fahrey. Volume I depicts Beards' work along with critical texts. Volume II provides Beard's biography, a long interview, and an index to Volume I. -- Source of annotation: Marvin or Ruth Sackner.