Visual art
Found in 5472 Collections and/or Records:
Word & Image. No.3/Jul-Sep / Klee P., 1993
WordPlay:: The Life of Script in Paintings and Sculptures / Kosrof, Wosene Worke., 2010
WORDS 3 / Depew, Wally., 1985
Each page has a single different rubberstamped word in large bold type with capital letters. There does not seem to be a theme connecting these words. The colored woodblock prints on the fold-out depict abstract imagery. -- Source of annotation: Marvin or Ruth Sackner.
WORDS 4 / Depew, Wally., 1985
Each page has a single different rubberstamped word in large bold type with capital letters. There does not seem to be a theme connecting these words. The colored woodblock prints on the fold-out depict abstract imagery. -- Source of annotation: Marvin or Ruth Sackner.
Words and Images: A Persistent Paradox / Bowman, Russell; Johns J; Ruscha E; Wiley WT; Nauman B., 1985
Bowman reviews contemporary use of words in conjunction with visual art. -- Source of annotation: Marvin or Ruth Sackner.
Words by the Water / Smith, William Jay., 2008
Words by the Water / Smith, William Jay., 2008
Words for a Fountain / Finlay, Ian Hamilton., 1993
Words to my brother Theo / Morin, Jeffrey., 1986
Work In Progress on Bridge Piers / Finlay, Ian Hamilton; Stirling, Annet; Berman, Brenda., 1990
This card depicts a color photograph on its verso of a calligraphically carved stone sculpture being sited near a bridge in Glasgow and a photographic reproduction of an abstract expressionist painting by Vladimit Kokolia on its recto. -- Source of annotation: Marvin or Ruth Sackner.
[Work in progress] / Tillier, Thierry ; Dupret A., 2005
Work of the 1990's / Marden, Brice., 1999
Marden's paintings, drawings and prints in the 1990's were influenced by Chinese calligraphy and the Greek muses. -- Source of annotation: Marvin or Ruth Sackner.
Working in Brooklyn; Installations / Todt., 1990
Working Legs: A Play for People Without Them, 1997
This is a play for physically disabled actors. -- Source of annotation: Marvin or Ruth Sackner.
Works and Texts / Phillips, Tom ; Paschal H ; Hurrell B., 1992
This book served as the catalogue for the exhibition of Phillips' work in the Royal Academy Sackler Gallery, London. Huston Paschal writes in the introduction that "Phillips explores the timeless marks encoding meaning...and he is on a search for self." Several references are made to the Sackners in the text written by Phillips, and many works in the Archive are illustrated including "Oh Those Reds, Speaking in Tongues, The Dante Binding, Humument Globe, The Dante Diary, and A Humument Pages. -- Source of annotation: Marvin or Ruth Sackner.
Works and Texts / Phillips, Tom ; Paschal H ; Hurrell B., 1992
This book served as the catalogue for the exhibition of Phillips' work in the Royal Academy Sackler Gallery, London. Huston Paschal writes in the introduction that "Phillips explores the timeless marks encoding meaning...and he is on a search for self." Several references are made to the Sackners in the text written by Phillips, and many works in the Archive are illustrated including "Oh Those Reds, Speaking in Tongues, The Dante Binding, Humument Globe, The Dante Diary, and A Humument Pages. -- Source of annotation: Marvin or Ruth Sackner.
Works / Finlay, Ian Hamilton ; Greenhalgh, Martyn ; Nash J ; Clark L ; Harvey M ; Fine J ; Campion P., 1989
This catalogue was designed by Finlay. The 10 photographs in this book from Finlay's garden are captioned with text from Finlay's "Detached Sentances on Gardening." -- Source of annotation: Marvin or Ruth Sackner.
Works & Interviews 1999 - 2014 / Jacobson, Michael., 2014
In an interview with Lynn Alexander, Michael Jacobson describes asemic writing and the influence of Tim Gaze on his work. Jacobson states that asemic writing is a nataural combination of texts and images and "sits between art & literature." He believes "asemic writing is descended from all forms of writing,...and also captures the techno-anxiety & information overload of a post-literate culture better than traditional forms of literary expression." -- Source of annotation: Marvin or Ruth Sackner.
Works of Art from the Past Millennium / Horndeski, Gregory., 2000
Wade Wilson contributes an incisive essay on the technical, socio-political and artistic background of Horndeski's paintings. "The artist paints on a horizontal canvas, like Pollack, with a knife and uses fluid acrylic paints which permit him to "achieve some remarkable effects as the paints mix on the canvas." -- Source of annotation: Marvin or Ruth Sackner.