Visual art
Found in 5481 Collections and/or Records:
Encounters / Martinez-Canas, Maria., 1991
Encyclopedia of Self Portraits / Crane, Michael., 1980
This book reproduces head shots made on a photocopier. -- Source of annotation: Marvin or Ruth Sackner.
End of the World, The: Contemporary Visions of the Apocalypse / Lynn Gumpert, curator ; Marcia Tucker, curator ; Finster H ; Lipski D ; Spero N ; Baranik R., 1983
Lynn Gumpert who also contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Energy Crisis Poems / sigmund, r.j., aka rjs ; Kryss TL ; Dominique., 1974
The cover was designed by Tom L. Kryss. The three photocopied drawings within the book were done by Dominique. -- Source of annotation: Marvin or Ruth Sackner.
Enfance / Garnier, Pierre; Ghin, Joseph., 1989
English Art Today 1960-1976 / Phillips T ; Martin K ; Tilson J ; Paolozzi E., 1976
Enough of the Hills and Woods / Dezso, Andrea., 2007
Andrea Dezso has illustrated this article about family holiday communcations with reproductions of stitching of families, airplanes, Christmas trees, computers and cars. -- Source of annotation: Marvin or Ruth Sackner.
Entrapped: The Book As Container / Phillpot C ; Colby S ; Polansky L ; Luchman L ; Horwitz C., 1981
Exhibition was curated by Norman Colp and sponsored by the Center For Book Arts. -- Source of annotation: Marvin or Ruth Sackner.
Entwerter Oder / Sorgel, Hartmut., 1993
Entwurf / Broel, Elisabeth., 1994
Environment (Postcard), 2004
Along with the postcard, there is a document from the Russian Federation's Ministry of Culture approving the card for exportation to the United States.
Envoi Postal du 7-3-77 / Norguet, Francois., 1977
Epat: Texts by Artist / Boshoff, Willem Hendrik., 2007
Boshoff's artist statement in 2001 on his Blind Alphabet project is reproduced in this catalogue. Extension of this project to wooden sculptures of additional shapes in this exhibition are depicted along with captions of their definitions. The title of this exhibition, Epat is coloquial French and backwards in French, it is tape, a 'slap' or 'blow'; 'tapee' is a smart answer. In the exhibition, Epat is an installation of old music casettes in an asembly of plastic boxes. The final work described in the exhibition, Kykaafrikaans - Poetry Recitals, consist of a compact disc recording of the concrete poetry work held by the Sackner Archive. The compact disc is also held by the Sackner Archive courtesy of the Michael Stevenson gallery. This catalogue depicts five typings from Kykaafrikaans. -- Source of annotation: Marvin or Ruth Sackner.
Ephemerides II / Phillips, Tom; Cage J., 1967
Includes the text of a poem dealing with mushrooms that also was printed in Opening No.9. This painting plays with ideas that will be subsequently used by Phillips, e.g., A Humument, the concept of an image changing over time, the grid, permutations. -- Source of annotation: Marvin or Ruth Sackner.
Ephemerides / Phillips, Tom., 1978
The cards consist of Phillips' lecture notes on artist books. -- Source of annotation: Marvin or Ruth Sackner.
Epidemia for Jean Jaques Lelid / Hubaut, Joel., 1989
Photograph depicts Hubaut holding a drawing in front of a store with the name "Le Bel". -- Source of annotation: Marvin or Ruth Sackner.
Epigramititis: 118 Living American Poets / Johnson, Kent, editor ; Kunitz S ; Simic C ; Antin D ; Graham J ; Andrews B ; Bernstein C ; Lehman D ; Ashbery J ; Koch K ; MacLow J ; Howe S ; Beer J ; Davis J ; Lauterbach A ; Whalen P ; Lin T ; Sondheim A ; Daniels C ; Eshleman C ; Palmer M ; Bly R ; Lifshin L ; Stefans BK ; Merwin W ; Joris P ; Creeley R ; Padgett R ; Evans S ; McCord H ; Davies A ; Silliman R ; Elmslie K ; Yau J ; Alexander W ; Grenier R ; Debrot J ; Codrescu A ; Baraka A ; Watten B ; Damon M ; Smith R ; Bromige D ; Hejinian L ; Alexander C ; Robinson A ; Napora J ; Wieners J ; Dworkin C ; Howe F ; Featherstone D ; Luoma B ; Wakoski D ; Snyder G ; DiPalma R ; Lazer H ; Edson R ; Young D ; Scalapino L., 2004
Episodes / Lewty, Simon ; Hills P., 2000
This exhibition consisted of Lewty's textural works, some overlaid with abstract markings rather than surreal creatures as in his earlier works, others purely textural with more formal lettering. In his introductory essay, Paul Hills writes that in these textural paintings, Simon Lewty "has banished the lure of the figurative...to forestall and inclination to read the painting in terms of illustration, thereby bringing us forcibly back to the work as an object, to the look of the whole, to the matter of the text and its material presence." -- Source of annotation: Marvin or Ruth Sackner.
Episodes of the City: New York as a Source Book / Cutler-Shaw, Joyce ; Hoffberg J ; Lovejoy M., 2007
Judith Hoffberg contributes a preface titled "Birds, Bones and Books." In "Joyce's New York: A conversation" Margot Lovejoy interviews Cutler-Shaw. She states that you can enjoy and read calligraphy without knowing the language and that she is "drawn to the more contemporary form of concrete poetry, in which meaning is tied to its visual representation." -- Source of annotation: Marvin or Ruth Sackner.
Epistolary Stud Farm/Dramatika / Anonymous., 1983
The name of the artist with initials K.S. is not identified. -- Source of annotation: Marvin or Ruth Sackner.