Visual art

The book is designed to resemble a photograph album with black pages and a single large photograph collaged onto each page. It is a memorial to the Dachau concentration camp in a rather sterlle way.. The writing of the "Dachau Museum" and the writing of the "Dachau Camp" are now intermingled and "their simple presence is the proof of their innocence." This piece is dscribed in Gerz's Catalogue Raisonne Volume II, pages 38-39, a book held by the Sackner Archive. It is designated No.783 in Volume III. The Sackner copy is from the 1st edition; the 2nd edition was reprinted in 300 copies in 1996. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Exodus / Burgo., 1990

Item

Identifier: CC-42845-44885

Scope and Contents

The paintings in this catalogue are metaphysical. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Expectations / Jackman, Sandra., 2005

Item

Identifier: CC-43806-45902

Scope and Contents

The image is a slightly reclining chair and the edge of a wine glass, both symbols of the Passover Sedar. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

EXPERIENCED JIG (22nd JANUARY, 1968) / Dom Sylvester Houedard., 1968

Item

Identifier: CC-56804-10000172

Dates: 1968

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

EXPERIENCED JIG (22nd JANUARY, 1968) / Dom Sylvester Houedard., 1968

Item

Identifier: CC-56804-10000172

Dates: 1968

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960's / Jackson, K. David, editor ; Drucker, Johanna, editor ; Vos, Eric, editor ; Bernstein C ; Bohn W ; Cluver C ; Drucker J ; Garnier P ; Hatherly A ; Kac E ; MacLow J ; Tardos A ; deMelo e Castro EM ; Menezes P ; Minarelli E ; Perloff M ; Pignotti L ; Polkinhorn H ; Saper C ; Solt ME ; Vos E ; DeCampos H ; DeCampos A ; Sackner MA ; Sackner RK ; Sarduy S ; Gomringer E ; Higgins D ; McCaffery S ; Minarelli E ; Berry J ; Doctorovich F ; Basinski M ; Foley J ; Young K ; Walther E ; Claus CF ; Fahlstrom O ; Williams E ; Spacagna J ; Schwitters K ; Ruhm G ; Pound E ; Pignatari D ; Phillips T ; Mon F ; Marinetti FT ; Mallarme S ; Kostelanetz R ; Higgins D ; Gomringer E ; Heissenbuttel H ; Bense M ; Apollinaire G ; Balestrini N., 1996

Item

Identifier: CC-27838-28971

Scope and Contents This book is number 10 of Avant Garde Critical Studies and is based on the Yale Symphosophia held in April 1995 which was originally conceived to honor the Brazilian Concrete poet Haroldo de Campos on his 75th birthday. The symposium brought together over forty poets and performers and produced this volume of review and critical appraisal of an international perspective of avant garde poetic production. The volume includes the scholarly papers delivered at Yale and is divided into the following themes: Experimentation and Its Historical Moment; Experimentation in the Language Arts; Concrete and Neo-Concrete Poetry including Memoirs of Concrete; The Yale Symphosymposium on Contemporary Poetics and Concretism - A World View from the 1990s. The Sackners were invited to attend the symposium and were noted in the preface as follows: The Symposophia benefited from the perspectives of Ruth and Marvin Sackner, professional collectors representing the most extensive and complete archive of...

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960's / Jackson, K. David, editor ; Drucker, Johanna, editor ; Vos, Eric, editor ; Bernstein C ; Bohn W ; Cluver C ; Drucker J ; Garnier P ; Hatherly A ; Kac E ; MacLow J ; Tardos A ; deMelo e Castro EM ; Menezes P ; Minarelli E ; Perloff M ; Pignotti L ; Polkinhorn H ; Saper C ; Solt ME ; Vos E ; DeCampos H ; DeCampos A ; Sackner MA ; Sackner RK ; Sarduy S ; Gomringer E ; Higgins D ; McCaffery S ; Minarelli E ; Berry J ; Doctorovich F ; Basinski M ; Foley J ; Young K ; Walther E ; Claus CF ; Fahlstrom O ; Williams E ; Spacagna J ; Schwitters K ; Ruhm G ; Pound E ; Pignatari D ; Phillips T ; Mon F ; Marinetti FT ; Mallarme S ; Kostelanetz R ; Higgins D ; Gomringer E ; Heissenbuttel H ; Bense M ; Apollinaire G ; Balestrini N., 1996

Item

Identifier: CC-54520-989985

Scope and Contents This book is number 10 of Avant Garde Critical Studies and is based on the Yale Symphosophia held in April 1995 which was originally conceived to honor the Brazilian Concrete poet Haroldo de Campos on his 75th birthday. The symposium brought together over forty poets and performers and produced this volume of review and critical appraisal of an international perspective of avant garde poetic production. The volume includes the scholarly papers delivered at Yale and is divided into the following themes: Experimentation and Its Historical Moment; Experimentation in the Language Arts; Concrete and Neo-Concrete Poetry including Memoirs of Concrete; The Yale Symphosymposium on Contemporary Poetics and Concretism - A World View from the 1990s. The Sackners were invited to attend the symposium and were noted in the preface as follows: The Symposophia benefited from the perspectives of Ruth and Marvin Sackner, professional collectors representing the most extensive and complete archive of...

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Experimentelle Texte: Aus der Laufenden Korrespondez/Mein Beitrag zur Postmoderne. No.5 / Agno Stowitsch., 1986

Item

Identifier: CC-14024-14329

Dates: 1986

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Experimentelle Texte: mehr oder weniger freiwillig. No.32 / Mario Rotter., 1992

Item

Identifier: CC-13485-13788

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Exposition des Fees / de Charmoy, Cozette., 1979

Item

Identifier: CC-15047-15364

Dates: 1979

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Expressiones Hispanas 88/89 / Presser E., 1988

Item

Identifier: CC-14340-14648

Scope and Contents

Pressers' collage "117 A/B Polonaise in F from Anna Magdalena Bach Notebook" held by Sackner Archive, is reproduced in this catalog. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Extra Copy: Cum Permissu. No.4., 1970

Item

Identifier: CC-13983-14288

Scope and Contents

The four pages of poetry are illustrated with six pages of what appears to be wallpaper pictures of a soccer team. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)