Visual art
Found in 5481 Collections and/or Records:
Familiar Strangers: The 68th Annual Competition: Photographs / Bernstein A ; Prince D., 1993
Audrey Bernstein incorporated an image of Sonya Sackner-Bernstein in her work. Douglas Prince used ancient Roman lettering in the photograph the Sackners purchased from the exhibition. Both artists were awarded The Print Club Selections Award. -- Source of annotation: Marvin or Ruth Sackner.
Family Group / Finlay, Ian Hamilton; Torok, Karl., 1973
The image of the tipped-in print is a landscape of sculptures trees and bushes that Finlay designates with human names, e.g., Gardner, Cousin William?, Mama, etc.in the loose print. -- Source of annotation: Marvin or Ruth Sackner.
Fanfare / Clarke, Peter ; Pollock J ; Schwitters K., 2004
This book reproduces 100 fans made by Peter Clarke. -- Source of annotation: Marvin or Ruth Sackner.
Fantaisie (Schubert), 1989
Far di Conto / Caruso, Eleonora., 1993
The author is the five year old daughter of Luciano Caruso and Sonia Pucchetti. -- Source of annotation: Marvin or Ruth Sackner.
Far Marvnius Sacknavius, 2003
This drawing is a New Year gift to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Father's Study / Freeman, Jane., 1990
Depicts a diorama. -- Source of annotation: Marvin or Ruth Sackner.
Fatrada / de Charmoy, Cozette., 1972
Featured Titles by Artists / Printed Matter ; Lawler L ; Nishat S ; Rosen K ; Souza A ; Tuttle R ; Belichick M ; Gilbert S ; Kahn R ; Metz M ; Neaderland L ; Zweig J., 2000
Feeding the Fish / Jackman, Sandra., 2006
Felos, 2008
Note that Galician is spoken by some three million people, including most of the population of Galicia and the numerous Galician communities established elsewhere, in Spain (Madrid, Barcelona, Biscay), in other European cities (Andorra la Vella, Geneva, London, Paris), and in the Americas (New York, New Jersey, Buenos Aires, Montevideo, Havana, Caracas, Mexico City, São Paulo, Managua, Guadalajara, Veracruz City, Panama City). -- Source of annotation: Marvin or Ruth Sackner.
[Female Nude behind a Mirror] / Kolar, Jiri., 1992
A collage sent by Kolar as a gift to the Sackners arrived wet and shredded. In his note with this replacement, Jiri Kolar writes, "Thanks for your letter. I was quite amused with the destroyed [sic] collage you sent me back." The loose sheets cut from periodicals can be placed into the frame of the simulated mirror image of the original collage to create new images as a "do-it yourself" art work. -- Source of annotation: Marvin or Ruth Sackner.
[Female Nude Figure] / Mutel, Didier., 2000
Feminine/Masculine / Greco, John, editor; Vangelisti, Paul, editor; Messerli D., 1990
Fertilete & Gastronomie au XXIIIe Siecle / Nadau, Jean-Pierre., 2006
The first section, Gastonomie is subtitled "Extracts of a greenish guide 2263 - a selection of the best tables for greedy mandibles." It consists of six illustrations of constructivistic multi-colored designs and three pages of descriptive lists. the second section, Fertilite, consists of grids of 25 colored, fantastic creatures with made-up titles below each crature in the grid boxes. Nadau writes on the back cover "Twenty-third century: The humane vermin is positively auto destructive. Unnamable unknown plants send forth on toxic lemon and fertile humus putrifying ossuaries. Doped by the moist chemicals and radioactivity, the insects become very intelligent, taking (?) the relay, and by consequence constructing gastronomique restaurants." -- Source of annotation: Marvin or Ruth Sackner.
festival dei popoli / Gruppo '70., 1967
Fetish Book / Dezso, Andrea., 2006
[fffffx2=4] / Luis, Carlos M.., 2001
Luis created numerical and letter texts on a computer and overpainted the printed text. -- Source of annotation: Marvin or Ruth Sackner.
Fiction Seven Teen / Depew, Wally., 1986
Although the colophon states this book was supposed to be a signed and number edition of 49 copies and part of a series that included Qua Trains, Art, Toxic, and Ocean among others, it is neither signed nor numbered and is not referred to by the other books of this series nor in Wally Depew's personal list. Therefore, the two copies held by the Sackner Archive with different colored covers, purple and beige, are probably unique. The book has no text except for the colophon and depicts different placements of black woodblock squares on the page that provide a moving image while the pages are flipped. -- Source of annotation: Marvin or Ruth Sackner.