Visual art
Found in 5481 Collections and/or Records:
Fin De Claire / Nadau, Jean-Pierre., 2007
Fine Art Degree Show 2004, 2004
Fine Print. No.2/Apr / Shire P., 1982
Includes a review of Peter Shire's book, "Tea Types," a work held by the Sackner Archive. Several articles in this issue deal with printing ornaments. -- Source of annotation: Marvin or Ruth Sackner.
Fingermail: Guitar. No.9/Jul / jw curry., 1991
Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.
Fingermail: Silent Subtext 5 Daybreak. No.8/Jul / Damian Lopes., 1991
Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.
Fingermail: Video Hell. No.6/Jul / jw curry., 1991
Edited by damian lopes. -- Source of annotation: Marvin or Ruth Sackner.
Fingerubungen / Dohl, Richard., 1962
Finished Prints of Tom Phillips' Dante's Inferno / Sackner, Sara., 1980
The photograph depicts an opened sheet on a table that comprises two of the finished prints for Tom Phillips' Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.
Firenze - Zagabria / Ori L ; Malquori R ; LaRocca K., 1970
fires in th tempul / bissett, bill ; Watson S., 1984
Exhibition was curated by Scott Watson who also wrote the introductory essay. Works in this exhibition featured vividly colored semi-realistic human figures but also included bissett's line drawings and concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
First Body of Work / Cheek, Cris., 1978
First Class Portraits, 1973
Edited by A.D. Coleman. Each page depicts an out-of-focus, age deteriorated, photographic portrait taken with a polaroid camera. -- Source of annotation: Marvin or Ruth Sackner.
First Collaboration: Introduction, 1995
Baroni indicates on a collaged printed element that this work arose from daily visits with his son, Giovanni, over a week's time to a public park near his home. Giovanni asked Vittore to take photographs of various scenes in the park. Vittore wrote t he composed texts on his PC as a subsequent chain of thought process remembering this experience. Giovanni did some wild scribblings with crayons which Vittore arranged as part of a 9 panel grid in three collages, together with photographs and texts. -- Source of annotation: Marvin or Ruth Sackner.
First Collaboration: Part 1, 1995
Consists of a nine panel grid, 3 colored photographs of park scenes, 3 printed texts, and 3 scribblings. -- Source of annotation: Marvin or Ruth Sackner.
First Collaboration: Part 2, 1996
Consists of a nine panel grid, 5 colored photographs of park scenes, 1 printed text, 3 scribblings. -- Source of annotation: Marvin or Ruth Sackner.
First Collaboration: Part 3, 1995
Consists of a nine panel grid, 4 colored photographs, 2 printed texts of concrete poetic letter pictures, and 3 scribblings. -- Source of annotation: Marvin or Ruth Sackner.
First Day Covers / Furnival J ; Joseph P ; Lijn L ; Phillips T., 1980
Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.
First Impressions: Early Prints by Forty-six Contempoary Artists / Acconci V ; Bartlett J ; Holzer J ; Johns J ; Nauman B ; Oldenburg C ; Rivers L ; Ruscha E ; Wiley WT ; Winters T., 1989
Elizabeth Armstrong curated the exhibition and wrote the catalogue essays along with Sheila McGuire. Jennifer Bartlett's print Day and Night (1978), a work held by the Sackner Archive, is documented and reproduced. -- Source of annotation: Marvin or Ruth Sackner.
First one man show in the U.S.A. / Phillips, Tom., 1979
Fish Flies and Mirrors / Hackman, Vida., 1984
Vida Ratzlaff Hackman (1935-1999) was a California artist who showed in major art galleries. -- Source of annotation: Marvin or Ruth Sackner.