Visual art
Found in 5481 Collections and/or Records:
for Sha(u)nt Basmajian / J(o(h)n)ston, Brian., 1991
Force Fields: Phases of the Kinetic / Guy Brett, curator ; Clark L ; Denes A ; Duchamp M ; Fontana L ; Houedard DS ; Klein Y ; Latham J ; LeWitt S ; Lijn L ; Lye L ; Manzoni P ; Matta-Clark G ; Michaux H ; Morellet F ; Oiticica H ; Roth D ; Schendel M ; Tinguely J ; Haacke H ; Moholy-Nagy L ; Smithson R ; Sackner RK ; Sackner MA., 2000
This exhibition was curated by Guy Brett. He writes in his essay, "The Century of Kinesthesia," that the works in the exhibition represent a language of movement or the physiognomy and poetics of language. Writing about dom sylvester houedard, Brett describes him as a Benedictine monk, poet, artist, and one of the most remarkable intellectuals in Britain. He developed a unique compressed prose style to theorise the discoveries of kinetic art and concrete poetry. The catalogue includes an extensive, illustrated chronology of the kinetic movement from 1910 to 1975 and also an anthology of previously published, selected essays by the artists in the exhibition. The Sackner Archive lent nine typewriter, optical works by Dom Sylvestre Houedard to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Force Fields: Phases of the Kinetic / Guy Brett, curator ; Clark L ; Denes A ; Duchamp M ; Fontana L ; Houedard DS ; Klein Y ; Latham J ; LeWitt S ; Lijn L ; Lye L ; Manzoni P ; Matta-Clark G ; Michaux H ; Morellet F ; Oiticica H ; Roth D ; Schendel M ; Tinguely J ; Haacke H ; Moholy-Nagy L ; Smithson R ; Sackner RK ; Sackner MA., 2000
This exhibition was curated by Guy Brett. He writes in his essay, "The Century of Kinesthesia," that the works in the exhibition represent a language of movement or the physiognomy and poetics of language. Writing about dom sylvester houedard, Brett describes him as a Benedictine monk, poet, artist, and one of the most remarkable intellectuals in Britain. He developed a unique compressed prose style to theorise the discoveries of kinetic art and concrete poetry. The catalogue includes an extensive, illustrated chronology of the kinetic movement from 1910 to 1975 and also an anthology of previously published, selected essays by the artists in the exhibition. The Sackner Archive lent nine typewriter, optical works by Dom Sylvestre Houedard to the exhibition. This copy differs from the other copy held by the Sackner Archive in that "Hayward Gallery" is printed on the spine, the second and final destination of this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Ford Maddox Ford & Ezra Pound / Furnival, John., 1981
Double portrait of Ford and Pound face to face. -- Source of annotation: Marvin or Ruth Sackner.
Foreign Palm Works / Di Palma, Ray., 1979
Forensic / Skuber, Berty., 1989
The images accompanying the poems by Skuber are abstract. -- Source of annotation: Marvin or Ruth Sackner.
Forest Echoes / Long, Mary Ellen., 1992
forget the rewrite / Sonnenfeld, Mark., 2006
form + zweck. No.7-8., 1993
The soft cover book is an English translation of the articles. -- Source of annotation: Marvin or Ruth Sackner.
Forrest Honey / Vid, M.T.., 1992
M.T. Vid is the non-de-plume of Todorovich. This book is stored with the Todorovich material. -- Source of annotation: Marvin or Ruth Sackner.
Forty-Five Drawings by Thoreau / Cage, John., 1977
Forty Six Instruments of Desire / Anonymous., 1991
Forum Book Art 20th edition / Bartkowiak, Heinz Stefan, editor ; Rehfeldt R ; Hacker KF ; Breuer T ; Enke W., 2002 - 2003
This is a compendium of contemporary prints, artist books, portfolios, and book objects mainly from Germany but also from England and America. Includes profit and non-profit centers. Well illustrated with examples from the various presses. Includes works of several presses that are also held by the Sackner Archive. It includes nine pages of artists' prints, silkscreen and letterpress. -- Source of annotation: Marvin or Ruth Sackner.