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Visual poetry

 Subject
Subject Source: Sackner Database

Found in 4850 Collections and/or Records:

i tarocchi / gli arcani maggori / Caruso, Luciano., 1992 - 1993

 Item
Identifier: CC-28572-29859
Scope and Contents

This suite of drawings depict Tarot card images in visual poetic terms. Two of the drawings provide brief handwritten explanations for each of the images. The remaining 22 drawings depict the individual cards. All drawings have white thick paint background on paper. They were framed and matted by Caruso and housed in a wooden box that has been painted and collaged on three of its sides. Photographic reproductions of the drawings are found in "Le Brache di Gutenberg: cronica n.s. 30, 1994," a periodical also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992 - 1993

ICA Bulletin. No.138-139/Aug- / Butler B ; Miro J ; Eluard P ; Tilson Jo ; Reinhardt A., 1964

 Item
Identifier: CC-41837-43832
Scope and Contents

Ad Reinhardt contributed a manifesto entitled, "Who is Responsible for Ugliness?" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

ich: 4 Translations of Vladimir Burda / curry, jw ; Burda V., 1992

 Item
Identifier: CC-30400-31819
Scope and Contents

An image on each page depicts the letter 'i' formed by fingerprints. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

ich: 4 Translations of Vladimir Burda / curry, jw ; Burda V., 1998

 Item
Identifier: CC-35521-37261
Scope and Contents

Images consist of fingerprints and images forming the letter 'i'. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

ich: 4 Translations of Vladimir Burda / curry, jw ; Burda V ; Russ A., 1998

 Item
Identifier: CC-30833-32279
Scope and Contents

An image on each page depicts the letter 'i' formed by fingerprints. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Ich: 4 Translations of Vladimir Burda / curry, jw ; Russ A ; Burda V., 1998

 Item
Identifier: CC-30838-32284
Scope and Contents

An image on each page depicts the letter 'i' formed by fingerprints. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Id-Grids and Ego-Graphs, 1978

 Item
Identifier: CC-15718-16047
Scope and Contents

Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive holds the original maquette of this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Id-Grids and Ego-Graphs, 1978

 Item
Identifier: CC-15555-15882
Scope and Contents

Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive holds the original maquette for this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Id-Grids and Ego-Graphs [five unpublished drawings intended for book] / Drachler, Jacob; Joyce J., 1978

 Item
Identifier: CC-15722-16051
Scope and Contents

These laminated drawings were intended but not included in the book of the same title published by Gridgraffiti Press in 1978. They are stored in the same box as the drawings used in the publication. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Id-Grids and Ego-Graphs [maquette] / Drachler, Jacob; Joyce J., 1978

 Item
Identifier: CC-15721-16050
Scope and Contents

Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive also holds the published edition of this maquette. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Idea Rotore / Carrega, Ugo., 1968

 Item
Identifier: CC-18601-18973
Scope and Contents

The print was also bound into tEXt, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

ideas of god, 2008

 Item
Identifier: CC-48340-69365
Scope and Contents Catherine Foc exhibition review at MOCA GA: Over the course of her long, fecund career, Ruth Laxson has honed a unique language rooted in her fascination with forms of communication. Letters, words, hieroglyphics, mathematical symbols, equations, Braille, computer acronyms, typefaces, handwriting, pictures: the Atlanta artist uses these elements as abstract shapes, allusive imagery "” and content. Text is as important as image, be it straightforward sentences and phrases or wordplay: the puns, anagrams and lists through which she gets at more elusive meanings than linear language allows.The parameters of her subject matter and worldview are, you might say, microcosmic.* Laxson's take on enduring themes "” love, sex, power and their manifestation in relationships, feminism, war, politics and philosophy "” all are nested in perception of matter, space and time shaped by the teachings of Georgia Tech physics professor David Finkelstein and her own ruminations about God. Her works are...
Dates: 2008