Visual poetry
Found in 4861 Collections and/or Records:
Le Parole per Dirlo, 2010
Le Quattro Stagioni: Cromopoemi / Cena, Sergio., 1985
Although the edition comprises 50 copies, each consists of unique drawings with slight variations from one set to another. -- Source of annotation: Marvin or Ruth Sackner.
Le Sette Forme del Serpente, 1997
Also designated Zeta No.128. Edited by Sarenco. One poem with erotic content has been translated into English. -- Source of annotation: Marvin or Ruth Sackner.
Le Sorcier Malgre Lui / Jokelson, Susan., 1987
Le Stanza dell'Amore Seriale / Caruso, Luciano; Oberto A; Fagioli M., 1982
Le Stanza dell'Amore Seriale / Caruso, Luciano; Oberto A; Fagioli M., 1982
Le Temps Aujourd'hui, 1972
This print is divided into an upper half that depicts a typewriter poem with a typed frontal view of a face. The lower half depicts the tItle in bold typography and a collage of an eye and dentures. -- Source of annotation: Marvin or Ruth Sackner.
le TGV de VGE vegete / Corfou, Michel., 1981
The original work, a collage mounted on corrugated plastic, is also held in the Archive. -- Source of annotation: Marvin or Ruth Sackner.
Le Theatre a Bretelles / Berman, Laurent; Quesemand, Anne., 1990
Le Trois Prophètes, 2007
This work is based upon Sufi mysticism and deals with Judaism, Christianity and Islam. -- Source of annotation: Marvin or Ruth Sackner.
[Leaves] / Caruso, Luciano., 1989
Leben / Buchwalder, Ernst., 1992
Lecture Ephemerides II (revised), 1975
Depicts fragments of A Humument pages 213 and 116. The poem reads: "A Humument. dying to make you to take you in o lush neck - one of her chins overlapped Grenville for years; - A Humument. hailed the intelligence with delight. moving again-- moving - hoped the colours of his anticipations took place words. remained - share it, grow bright again. - A Humument. the paper back with a gentle voice hehehe hehehe hehe hehe A HU UMENT. chance words." -- Source of annotation: Marvin or Ruth Sackner.
LEGG / Segay, Serge., 1997
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Lekce Velkeho A: Konkretni a Vizualni Poezie 1962-1993 / Ovcacek, Eduard ; Valoch J., 1995
This book consists of examples of Ovcacek's typewriter, letraset, and stencilled letter works done between 1962-1993 along with critical essays in the Czech language. Jiri Valoch contributed an introductory essay. Ovacek's typewriter poetry marks him as one of the foremost contributors to this style of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Les Grands Voyages / Cepl, Gernot., 1994
This page is typed as a close packed grid over the text and blank spaces of a printed page. In the center of the page, the shift to red ink typing gives an abstract appearance to the page. -- Source of annotation: Marvin or Ruth Sackner.
Les Mirages / Hubaut, Joel., 1988
Les Mots ont des Visages / Gruenoun, Joel., 1995
The author varies typography and adds images to enhance the meanings of words. He also provides brief dictionary definitions underneath each of the word-images. The word poem serves as the image and the definition as the caption for these picture poems. The poems resemble those composed by Peignot in "Le Petit Peignot" (1996) & "Toutes les Pommes se Croqent" (1996). However, Gruenoun's poems differ from Peignot's poems in that line drawings are often added and more varied fonts are employed. -- Source of annotation: Marvin or Ruth Sackner.
Les Mots ont des visages Tome 1 / Guenoun, Joel., 1995
The author varies typography and adds images to enhance the meanings of words. He also provides brief dictionary definitions above each of the word-images. The word poem serves as the image and the definition as the caption for these picture poems. The poems resemble those composed by Peignot in "Le Petit Peignot" (1996) & "Toutes les Pommes se Croqent" (1996). However, Guenoun's poems differ from Peignot's poems in that line drawings are often added and more varied fonts are employed. -- Source of annotation: Marvin or Ruth Sackner.