Twenty short pieces of string are unravelled at the ends and lined up in an abstract pattern. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of single rubberstamped numbers within the drawing. The main images are silhouettes of three fish. The background is stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers within the drawing. The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers. The drawing includes eight images of silver colored birds, The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists mostly of calligraphic texts in varied styles. There are several grids of single rubberstamped numbers within the drawing. The background is stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists mostly of calligraphic texts in varied styles. There are several grids of single rubberstamped numbers within the drawing. Thirteen abstract patches are scattered in the drawing where the basic stained tea-colored background was left the blank, white color of the paper. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers within the drawing. The main image is a drawings of a highly styled, cubistic-like hand. The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers within the drawing. The main images are drawings of two, gauze wrapped, hands. The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists mostly of calligraphic texts in varied styles. There are several grids of single rubberstamped numbers within the drawing. The background is stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers. The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers. The main images are four calligraphed gold, silver and black circles with constructivistic black images. The drawing also includes a small horizontal row of several black trees without leaves. The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of calligraphic texts in varied styles. There are several grids of rubberstamped single numbers and a Russian word within the drawing. The main images are five calligraphed wheels with spokes. The background is a stained tea-colored. -- Source of annotation: Marvin or Ruth Sackner.

Deals with the theme of the politics of television. The sculpture depicted on page 58, Monument to the Television of Chernobyl, was acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Chernobyl refers to a city in Russia in which a major nuclear accident took place. Rabascall has depicted the event by presenting the city as an ancient pyramid with four television receivers and a satellite dish on its top and letters covered with sand falling in a disorderly arrangement down the slopes of the pyramid. The latter might signify the initial concealment of the magnitude of this disaster by the Soviet government. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the sculpture in a plexiglas case that was purchased by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This final issue of the magazine reproduces an abstract expressionistic drawing by d.a. levy done in 1964. The front cover depicts a distorted photograph of a women in full frontal nudity. -- Source of annotation: Marvin or Ruth Sackner.