Visual poetry

Preparation for Their Arrival / Lewty, Simon., 1983

Item

Identifier: CC-07185-7326

Scope and Contents

This drawing was originally conceived as a scroll but when it was exhibited at the Miami Art Museum for an exhibtion"Visual Poetics" (2003), it was flattened and placed in a case and has remained as such. A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Preparatory Drawing For Marvin & Ruth Sackner Artchive Of Concrete And Visual Poetry Painting / Phillips, Tom., 1982

Item

Identifier: CC-46253-48974

Scope and Contents

This drawing consists of the layout for the text of Phillips' painting for the "Sackner Artchive." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Preparatory Sketches for Marvin & Ruth Sackner Artchive of Concrete and Visual Poetry Painting / Phillips, Tom., 1982

Item

Identifier: CC-60180-52473

Scope and Contents

This drawing documents Phillips' process that resulted in the fromation of the signature painting commissioned for the Sackner Archive.It ultimately was designed with 90 small paintings. The sketches of the layout led to Phillips' creation of the word Artchive that becomes a mesostic with the lettters placed vertically down the center of the painting. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Prepared Tube One: Song of the Red Toad / Michael Basinski., 2011

Item

Identifier: CC-54929-990345

Scope and Contents

According to Basinski, this prepared tube is an example of an "opem," which is a poem for improvisational performance. He indicates that one should perform the opems in ensemble via improvisational interpretation by "reading" and voicing the textual elements through the tubes (or not) and around them. These opems are instruments and should be treated as such and they are scores and, again, should be engaged as such. Use silents and sound. Play. Orchestrate. Duration is variable. This work was displayed in the Gallery's exhibition entitled, Object Poems (2011). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Prepared Tube One: Song of the Red Toad / Michael Basinski., 2011

Item

Identifier: CC-54929-990345

Scope and Contents

According to Basinski, this prepared tube is an example of an "opem," which is a poem for improvisational performance. He indicates that one should perform the opems in ensemble via improvisational interpretation by "reading" and voicing the textual elements through the tubes (or not) and around them. These opems are instruments and should be treated as such and they are scores and, again, should be engaged as such. Use silents and sound. Play. Orchestrate. Duration is variable. This work was displayed in the Gallery's exhibition entitled, Object Poems (2011). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

PRES , 1992

Item — Box Adl-Agu: [Barcode: 31858072490794]

Identifier: CC-61614-10004074

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

[Press Me Close Tee Shirts] / Ernst, Kathy, editor ; And M ; Bennett JM ; Cole D ; Kempton K ; Kostelanetz R ; Lastname B ; Nations O ; Pittore-Eurofico C ; Porter B ; Raphael D ; Rosenberg MR ; Spiegelman L., 1985

Item

Identifier: CC-13792-14097

Scope and Contents

This catalogue features silkscreened concrete poems on T-Shirts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Prima del Silenzio / Miglietta, Enzo., 1981

Item

Identifier: CC-06510-6629

Scope and Contents

This drawing made with printed letterform tautologic text achieves an optical image quality through differences in spacing of the letters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Prima Materia / Powell, David., 1989

Item

Identifier: CC-04873-4969

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Primarily Books from a Miami Beach Collection / Leiber, Steven ; Acconci V ; Andre C ; Guest T ; Celant G ; Anselmo G ; Baldessari J ; Blaine J ; Copithorne J ; Birney E ; bissett b ; Barry R ; Boetti A ; Broodthaers M ; Buren D ; Byars JL ; Cage J ; Cobbing B ; Celender D ; DeCampos A ; DeOliviera W ; Depew W ; Finlay IH ; Fox T ; Lora-Totino A ; Gilbert & George ; Hansen A ; Hirsal J ; Morgan E ; Vostell W ; DeVries H ; Thomkins A ; Herms G ; Huebler D ; Houedard DS ; Kosuth J ; Kriwet F ; Perneczky G ; Kounellis J ; Isou I ; Altmann R ; LeWitt S ; Lemaitre M ; Garnier P ; Merz M ; Miccini E ; Nannucci M ; Nauman B ; Nichol bp ; Kostelanetz R ; DeCampos A ; Steele J ; Furnival J ; Themerson S ; Themerson F ; Johnson R ; Mayer HJ ; Bridgewater P ; Houedard DS ; Phillips T ; Valoch J ; Gomringer E ; Chopin H ; Pignatari D ; DeSa A ; Ruscha E ; Perfetti M ; Bory JF ; Carrega U ; Todorovic M ; Siegelaub S ; Solt ME ; Sarenco ; Spatola A ; Spoerri D ; Tot E ; Tremlett D ; Vaccari F ; Ulrichs T ; Weiner L ; Young L ; Vigo EA ; Williams J ; Williams E ; Zazeela M., 2002

Item

Identifier: CC-38945-40881

Dates: 2002

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Primavera Moscovita , 1989

Item — Folder 55: [Barcode: 31858072537891]

Identifier: CC-21567-21978

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Prince de Cappadoce / Cepl, Gernot., 1994

Item

Identifier: CC-20533-20930

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Printemps a Paris, 1982

Item — Folder 44: [Barcode: 31858072460078]

Identifier: CC-21820-22231

Dates: 1982

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Prints 1963 - 1997 Druckgrafik / Finlay, Ian Hamilton., 1997

Item

Identifier: CC-30171-31572

Scope and Contents This catalogue that illustrates Finlay's prints in chronological order, was compiled by Pia Simig. An in-depth essay by Rosemarie E. Pahlke, "Homesickness for Greek Temples," traces Finlay's themes, poetry, philosophy and describes his garden Stonypath. "The significance of his oeuvre and the widespread admiration it has earned derive primarily from its complexity...He offers us his own unique view of the present and his perception of everyday life, displayed on a background of literary, philosophical and historical connotations. In the process, he arrives at formulations and visual realisations that either spontaneously overwhelm us with their astounding simplicity or challenge us - even those who feel confident of having achieved a modicum of erudition - to find answers to the questions they pose. ..Finlay's works derive their vitality from his excellent powers of observation, a delicate irony, a sense of humour one might refer to as 'British,' a feeling for poetic images (but a...

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Prints / Phillips, Tom ; Rosenthal N ; Sackner MA., 2003

Item

Identifier: CC-41496-43483

Scope and Contents

This is issue no.21 of New Moment, a magazine for art & advertisement. This special issue was published as the catalogue for an exhibition of Phillips' prints in Slovenia. Marvin Sackner's essay "Humumentism: the Works and Ideas of Tom Phillips" was included. Other essays trace the areas of Phillips prodigious creations in book art, video, music, photography, translations and portraiture. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

[Prints] / Tozik, Andrey., 2000

Item

Identifier: CC-36535-38336

Scope and Contents

These photocopied prints were sent to the Sackners to provide choices for purchase of the originals. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Problems in Art: I. Drawing Breath, 1991

Item — Flat box 35: [Barcode: 31858069878597]

Identifier: CC-04224-4303

Scope and Contents

Commissioned for "The Beauty In Breathing" exhibition. This drawing incorporates Humument text in its imagery. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats