The editors state that this is the final issue of Score. -- Source of annotation: Marvin or Ruth Sackner.

One of the loose sheets is a reproduction of a letter to Dorflies, another a letter to Martini. The afterword was written by Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.

This is a partial printing of the Scream Poem over a grainy photograph of an erotic encounter. One of the prints depicts solely the text of the poem. -- Source of annotation: Marvin or Ruth Sackner.

This is a partial printing of the Scream Poem over a grainy photograph of an erotic encounter between two men and one woman. Three of the five prints depict solely the photograph associated with the poem. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This is the English translation of Ugo Carrega's Scrittura Attiva, Bologna: Zanichelli, 1980, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is stored in the Ugo Carrega box. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of the following drawings, Diritti e Doveri (1977), Parole Parole Parole (1977), and Silenzo (1978). -- Source of annotation: Marvin or Ruth Sackner.

This collage has a circular shape and is bordered by an unpainted wooden frame. A related collage is illustrated on page 253 of Miccini's catalogue, Poesia Visiva 1962-1991, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue by Marcucci consist of visual poems that have a comic strip quality. -- Source of annotation: Marvin or Ruth Sackner.