Visual poetry
Found in 4884 Collections and/or Records:
Terra del Fuoco: Archives 2 / Caruso, Luciano; Martini, Stelio Maria., 1970
The collage by Caruso consists of a folded letter with handwriting and an image of a dock scene. The collage by Martini depicts three silhouettes of a man's head utilizing a written document as its basis. -- Source of annotation: Marvin or Ruth Sackner.
Terre: Fragments de Bibliographie Menagere / Astrid Strid., 1999
The word "terre" is written sixteen times around the edges of the plexiglas square of this piece and a folded paper boat is attached to its center with a screw that also punctures the folder. The scroll consists of texts related to "terre." -- Source of annotation: Marvin or Ruth Sackner.
Terre: Fragments de Bibliographie Menagere / Astrid Strid., 1999
The word "terre" is written sixteen times around the edges of the plexiglas square of this piece and a folded paper boat is attached to its center with a screw that also punctures the folder. The scroll consists of texts related to "terre." -- Source of annotation: Marvin or Ruth Sackner.
[Terror Weapons] / Leftwich, Jim., 2007
Tessitura Blu / Benfenati, Alessandro., 1993
Tessitura Blu / Benfenati, Alessandro., 1993
Testamento di Intenzionalita / Faietti, Alberto., 1977
The poems on each page incorporate photographic images and fragments of conventional poetic text from typed or printed texts collaged onto the photographs. Although classified in Italy as examples of Poesia Visiva, the poems could also be classified as Picture Poetry. -- Source of annotation: Marvin or Ruth Sackner.
testi di godimento / Manfredi, Mauro., 1998
Testi - Immagine 1959-60 / Conte, Bruno ; Bentivoglio M., 1963
Introduction by M. Bentivoglio. -- Source of annotation: Marvin or Ruth Sackner.
[Text on Stylized Fingers] / Damen, Herman., 1973
Texte Sehen: Deutsche und Japanische Visuelle Poesie / Klaus-Peter Dencker, curator ; Andryczuk H ; Bremer C ; Buchwalder E ; Claus CF ; Deisler G ; Dencker KP ; Dohl R ; Ebel G ; Gappmayr H ; Garnier P ; Groh K ; Leirner B ; Lohr H ; Mau J ; Mon F ; Noel A ; Olbrich JO ; Riha K ; Ruhm G ; Schauffelen KB ; Schmidt SJ ; Sorgel H ; Trinkewitz K ; Warnke U ; Wezel W ; Williams E ; Kitasono K ; Niikuni S ; Cohen R ; Mukai S ; Takahashi S ; Garnier I ; Hell B ; Selbar K ; Kaufmann A ; Pfeiffer N ; Zielke O ; Hasekura T ; Ito M ; Mukai S ; Nakamura K ; Shiomi M ; Sunada C ; Tanabe S ; Yoshizawa S ; Basset K ; Blank I ; Christenell L ; Daniel P ; Dienst KP ; Dienst RG ; Elfen F ; Franzobel ; Friedl F ; Gunther T ; Hapkemeyer A ; Jaschke G ; Klessinger R ; Kriwet F ; Mayer HJ ; Mautz K ; Mittendorf H ; Oppermann A ; Rehfeldt R ; Wolf-Rehfeldt R ; Reichert J ; Scherstjanoi V ; Schmidt W ; Schwarz C ; Zauner H ; Toshihiko S., 1999
This anthology depicts a photographic of each participating artist/poet and an example of their work along with a brief biography. Klaus-Peter Dencker provides a list of the names and addresses of German speaking artists/poets. Kai Selbar's print, "Optimist," is depicted on page 67; this print is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
(Th) Gossamer Bed Pan / bissett, bill., 1967
This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.
Th Gossamer Bed Pan - Revised / bissett, bill., 1974
This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.
Th Gossamer Bed Pan - Revised / bissett, bill., 1974
This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.
Thank You Cummings / Rypson, Piotr., 1981
The (4th Edition) / And, Miekal., 2008
This fourth edition depicts the images in color rather than in b&w as the first edition. -- Source of annotation: Marvin or Ruth Sackner.
The 1984 Calendar of Olympic Games, Music & Orwellian Dates / Hyatt, M., editor ; Cervenka, Exene, editor ; Kempton K ; Padin C ; Petasz P ; Minoy ; Cole D ; Schwitters K ; CrackerJackKid ; Stetser C ; Melnicove M ; Meade R ; Pittore-Eurofico C ; McLean D., 1983
The Adventures of S Vol Two / Finch, Peter., 1971
The Aesthetics of Visual Poetry 1914-1928 / Bohn, Willard ; Apollinaire G ; Carra C ; Salvat-Papasseit J ; Larrea J ; deTorre G ; DeZayas M ; Folguera J ; Mayer P ; deIribarne F ; Mosquera L ; delValle A ; SoloDeSolo V ; Sindreu i Pons C., 1986
Although the title suggests a broad based survey, the focus of this book is primarily Spanish and Catalonian Futurist and the Ultra Movement poetry. These early 20th century poems are in the style of concrete rather than visual poetry. Bohn also provides English translations and interpretations of several of them. -- Source of annotation: Marvin or Ruth Sackner.