Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. Stored in Odds & Sods. The duplicate print is matted. Another copy listed seperately was signed by Furnival. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has two other unsigned copies of this print; this is the only copy that is folded. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

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A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.

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The prints might be photographs of colored photocopied prints. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This painting was reproduced and described in the Italian periodicals, Demetra No.4, 1993 and Carte D'Arte No.1, 1992. Vira Fabra (wife of Ignazio Apolloni) writes in 2011: Will Anna Guillot's work - of which many have dealt exhaustively - be ATARAXIC TIME? And Miccini (what to write after him) who places Socrates and Lacan on the chessboard for a "serious game". A symptom? Further excavations are almost impossible if not for erroneously ludic purposes. Therefore, "What to do?" Joke, speak and not tell, remain silent and be a gardener in a convent, albeit for a short time, like Wittgenstein? Repeat and reflect on the anxieties of Gabriel Marcel, namely on the "questions of life" to which Savater leads to? On what presupposes large contradictions? On the triangle of Ogden and Richards? On the diagram of Bernar Venet who, motivated by profound considerations on Conceptual art, was to produce excessively intellectual works from which an intense relationship with philosophy united...

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Reproduces and describes the painting of the same title which is held by the Sackner Archive -- Source of annotation: Marvin or Ruth Sackner.

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The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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A red, triangular road sign in printed over two staves of music by Satie with the expression "Le colonel est la!" -- Source of annotation: Marvin or Ruth Sackner.

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The Hebrew letter Ey-in (eye) is drawn in the center of the card, within a frame painted by Jackman. -- Source of annotation: Marvin or Ruth Sackner.

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Each page consists of a visual/verbal vignette using images of eyes with text. -- Source of annotation: Marvin or Ruth Sackner.

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This is the first volume of an announced 27 volumes that Dnaielewski proposes to produce.The plot takes place on a single rainy day and follows the story of a girl named Xanther.The plot ranges in time, in place and with characters in bewildering, creative typography, design, language and poetry. As Tom LeClair wrote in his New York Times Book Review,"To reinforce the exoticism of his material Danielewski invents a nearly opaque pidgen English, interspersed with Russian and Chinese printed characters..two other story lines...Los Angeles subcultures." John Williams adds in his review, "Danielewski's novels are brillintly produced, with text that curves away from the page margins, piles on itself until it becomes unintelligible blocks, and changes colores to represent different charctrers or themes." -- Source of annotation: Marvin or Ruth Sackner.