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This is the fifth edition of the book first published in 1968. -- Source of annotation: Marvin or Ruth Sackner.

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The is a photograph of a collage done by Zellen that incorporates an image of the Galleria in Milan, Italy with textural statements placed in the spaces of this structure about city life as interpreted by the artist. -- Source of annotation: Marvin or Ruth Sackner.

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Describes hypertext as an artform. -- Source of annotation: Marvin or Ruth Sackner.

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Depicts three visual poetic word columns. The Archive also holds this print backed on museum board. -- Source of annotation: Marvin or Ruth Sackner.

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Depicts three visual poetic word columns and several circles with optical effects from interlacing short lines. This print is depicted on page 44 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue documents the third part of Dennis Evan's major work "Liber Mundi/Libre Vitae." The 26 works in this series represent each letter of the alphabet and cover "Evans' broad range of perennial topics; comparative religion, the sciences, philosophy, and his love of the written word. The project deliberately emphasizes the use of text as a semiological tool of communication and depiction of meaning." -- Source of annotation: Marvin or Ruth Sackner.

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The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

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The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. Stored in Odds & Sods. The duplicate print is matted. Another copy listed seperately was signed by Furnival. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

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The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

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The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has two other unsigned copies of this print; this is the only copy that is folded. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

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The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

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A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.

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The prints might be photographs of colored photocopied prints. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This painting was reproduced and described in the Italian periodicals, Demetra No.4, 1993 and Carte D'Arte No.1, 1992. Vira Fabra (wife of Ignazio Apolloni) writes in 2011: Will Anna Guillot's work - of which many have dealt exhaustively - be ATARAXIC TIME? And Miccini (what to write after him) who places Socrates and Lacan on the chessboard for a "serious game". A symptom? Further excavations are almost impossible if not for erroneously ludic purposes. Therefore, "What to do?" Joke, speak and not tell, remain silent and be a gardener in a convent, albeit for a short time, like Wittgenstein? Repeat and reflect on the anxieties of Gabriel Marcel, namely on the "questions of life" to which Savater leads to? On what presupposes large contradictions? On the triangle of Ogden and Richards? On the diagram of Bernar Venet who, motivated by profound considerations on Conceptual art, was to produce excessively intellectual works from which an intense relationship with philosophy united...

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Reproduces and describes the painting of the same title which is held by the Sackner Archive -- Source of annotation: Marvin or Ruth Sackner.

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The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.