Includes concrete poem by David UU on the breath of love, entitled "Verklarte Nacht" meaning Transfigured Night, written in the style of James Joyce with John Cage overtones with employment of neologisms. -- Source of annotation: Marvin or Ruth Sackner.

The abstract lithographed markings resemble partial letter forms. They are over painted in rose colored watercolor and outlined with a graphite border. -- Source of annotation: Marvin or Ruth Sackner.

The box was made from wooden fragments of commercial shipping crates that were printed or stenciled with the names of commercial products. A large surface of one lid is the actual tympan from the letterpress at Bath College with residuals of colored inks from student mistakes; the title is stenciled onto it. Inner surfaces of the box have been collaged with paper labels and stenciled with words, who? & where? in different languages. The box holds Furnival prints such as the Nailsworth series. -- Source of annotation: Marvin or Ruth Sackner.

The silkscreen cover print of d.a.levy was done by Tom Kryss. The collages were first published in Quixote Vol.4 No.6. -- Source of annotation: Marvin or Ruth Sackner.

Nancy Campell, editor of Printmaking Today, profiles A Humument as it approaches its half century. Phillips describes how he is developing two digital versions of the artist book. In her personal letter to the Sackners, Campell writes,"I thought you would like a copy for the archive. I am thrilled to have Tom's witty 'mise en scene' of the magazine format on the cover. I also wish to acknowledge my gratitude, since I found Marvin Sackner's essay 'Humuantism' a useful resource." -- Source of annotation: Marvin or Ruth Sackner.

Blair H. Allen edited the artwork. -- Source of annotation: Marvin or Ruth Sackner.

Peter Koch illustrated this surrelistic novel with six visual poetic images and Shelly Hoyt made the binding. -- Source of annotation: Marvin or Ruth Sackner.

Peter Koch illustrated this surrelistic novel with six visual poetic images and Shelly Hoyt made the binding. Nations drew two small boxes next to his signature, one designated yes, the other no; the yes box is checked. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

This work features ambiguities related to censorship. The label of two cigarette packs, "Lucky Strike" is cancelled to leave only "Lust." The cancelling device is a large block of wood with black paint at its tip that serves as phallic symbol. -- Source of annotation: Marvin or Ruth Sackner.

Podwell illustrates a review by Cynthia Ozick using Hebrew letters and symbols. -- Source of annotation: Marvin or Ruth Sackner.

The content of the image is mainly taken from pages of A Humument. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.

Luddites were bands of workers in England (1811-1816) organized to destroy machinery under the belief that its use diminished employment. Ned Luddite, an 18th century Leicestershire worker originated the idea. Furnival depicts a man's body flattened by a Rube Goldberg like machine with numbers streaming from upper pipes of the machine. Stored in Odds & Sods. Depictd in Furnival's "Lost for Words" (2011 page 138. -- Source of annotation: Marvin or Ruth Sackner.

Lehmann cuts small capital letters of Spanish texts on paper and creates two and three dimensional unique works. -- Source of annotation: Marvin or Ruth Sackner.