Visual poetry
Found in 4884 Collections and/or Records:
The More They Write, the More They Write / Czeczot, Andrej., 1988
The Mystic Explorer / Podwel, Mark., 1980
Podwell illustrates a review by Cynthia Ozick using Hebrew letters and symbols. -- Source of annotation: Marvin or Ruth Sackner.
The Need to Know / Jackman, Sandra., 2009
The New National Theatre is yours / Phillips, Tom., 1977
The content of the image is mainly taken from pages of A Humument. -- Source of annotation: Marvin or Ruth Sackner.
The Next Worst Thing to Being Here / Bradley, Daniel f.., 1988
Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.
The Observer / Babenko, Dmitry., 2000
The Only Good Luddite Is a Dead Luddite , 1963
Luddites were bands of workers in England (1811-1816) organized to destroy machinery under the belief that its use diminished employment. Ned Luddite, an 18th century Leicestershire worker originated the idea. Furnival depicts a man's body flattened by a Rube Goldberg like machine with numbers streaming from upper pipes of the machine. Stored in Odds & Sods. Depictd in Furnival's "Lost for Words" (2011 page 138. -- Source of annotation: Marvin or Ruth Sackner.
The Other's Writing / Lehmann, Pablo ; Rodrigo Alonso, curator., 2011
Lehmann cuts small capital letters of Spanish texts on paper and creates two and three dimensional unique works. -- Source of annotation: Marvin or Ruth Sackner.
The Oxidized Renegade / Baroni, Vittore; Ciullini, Daniele., 1980
The Papertailor of Susannia / Lakner, Susanna., 2011
The Parchment Is Burning , 1985
The full title of this print, a quote from Rabbi Hanina Ben Tradyon, is "The Parchment is Burning but the Letters are Flying Free." It depicts Hebrew letters arranged randomly above a collaged, burnt surface of paper at the bottom of the print. Tradyon was an ancient Talmudic scholar who was executed for his beliefs. -- Source of annotation: Marvin or Ruth Sackner.
the peerless Mantra / Petasz, Pawel., 2000
Petasz's visual works generally feature a single letter; in this piece, it is an "I." -- Source of annotation: Marvin or Ruth Sackner.
The Philadelphia Love / Indiana, Robert., 1975
Folio contains offset lithographic version of Indiana's "Love" poem and "Wherefore the Punctuation of the Heart." -- Source of annotation: Marvin or Ruth Sackner.
The Pillow Book; ...Pillow Book: A Record of How the Text Developed through Exchange / Cole, David ; Shonagon, Sei ; Stetser, Carol., 1991
Sei Shonagon was a lady-in-waiting at the court of the Japanese Empress in 990 A.D. who kept a note book on the people, places and things she encountered in her daily life. Cole and Stetser used these notes as the basis for their collaboration. -- Source of annotation: Marvin or Ruth Sackner.
The Pillow Book; ...Pillow Book: A Record of How the Text Developed through Exchange (Collector's Edition) / Cole, David ; Shonagon, Sei ; Stetser, Carol., 1991
Sei Shonagon was a lady-in-waiting at the court of the Japanese Empress in 990 A.D. who kept a note book on the people, places and things she encountered in her daily life. Cole and Stetser used these notes as the basis for their collaboration. -- Source of annotation: Marvin or Ruth Sackner.
The Poet Considers His Resources, 1979
Poem by R. Bradbury. Designed and printed by R. Bigus. -- Source of annotation: Marvin or Ruth Sackner.
The Poetry Factory / Sutherland, W. Mark., 1993
The Poet's Canvas / de Charmoy, Cozette; Brossa J; Gomringer E; Cendrars B; Morgan E; Guillevic E; Furnival J; Lora-Totino A; Queneau R; Gysin B; Eluard P; Houedard DS; Horvitz SR; Thomas D; Apollinaire G; Malevich K; Tzara T; DeVree F; Hausmann R; Paz O; Joyce J; cummings ee; Metail M; Artaud A; Jandl E; Heidsieck B; Dufrene F; Perec G; Rothenberg J; Jacob M; Goll Y; Birney E; Chopin H; Ruhm G; Kriwet F; Higgins D; Khlebnikov V; Ondaatje M; Ball H; Williams E; Williams J; Michaux H; Spatola A; Carrion U; Filliou R; Novak L; Mon F; McCaffery S; Breton A; Isou I; Spacagna J; Finlay IH; Parant JL; Seuphor M; Hidalgo J; Ginsberg A; Ferlinghetti L; Hollo A; deMelo e Castro EM; Greenham L; Vigo EA; Marinetti FT; Soupault P; Rotella M; Schwitters K., 1994 - 1995
This print on canvas is a reproduction of a rubberstamped drawing on canvas by de Charmoy from 1994-1995 that was lost when the artist moved her studio. It consists of the names of visual poets and artists who were important to de Charmoy. The names are rubberstamped in blue in an irregular pattern falling from abstract blue, undulating painted marks at the top of the canvas. -- Source of annotation: Marvin or Ruth Sackner.
The Portal - for Marvin & Ruth Sackner / Topel, Andrew., 2011
A smaller version with a colored figure is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
the portal / Topel, Andrew., 2011
The image was generated with a computer and then printed from a computer file by an internet service. -- Source of annotation: Marvin or Ruth Sackner.