Visual poetry
Found in 4884 Collections and/or Records:
The Space Below This Printing Is For Future Grandchildren, Great Grandchildren, Great Great Grandchildren..., 1993
The drawing lists the names of the Sackners' children and grandchildren in 1991. -- Source of annotation: Marvin or Ruth Sackner.
The Spirit Is Breathing: Documentation / Furnival, John., 1991
This is the background material of the many languages used by Furnival for his standing screen, "The Spirit is Breathing." -- Source of annotation: Marvin or Ruth Sackner.
The Spirit Is Breathing / John Furnival., 1991
Commissioned for "The Beauty in Breathing" exhibition. This screen of three hinged panels and a moveable panel of the letter "A" with recto-verso imagery is written in several languages with text alluding to the title. The five vowel sounds, especially the "A" are incorporated as major features of the design because vowels are the "only letters in the alphabet that represent sound made by breathing alone." The "A" is made prominent because it symbolizes creation. This standing screen is depicted in Furnival's "Lost For Words" (2011) on page 83. However, it is mislabeled as "Vowel Screen" (1986). -- Source of annotation: Marvin or Ruth Sackner.
The Squadron, 1968
The poem consists of nine horizontally placed black colored hearts that simulate a group of flying airplanes. Their black color rather than conventional red is an anti-war protest (Vietnam). -- Source of annotation: Marvin or Ruth Sackner.
The Stick Duo / Sonnenfeld, Mark ; Melnikov-Starquist, Willi., 2008
The Symbol Presents Oneself Hourly / Lipcsey, Emoke., 1989
The Talkies / Basinski, Michael; O'Brien, Ginny., 2011
The Terrific Days of Summer, 1998
This is a prospectus for a new book by the press with supplemental information by one of its proprietors in a letter to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.
The Tibetan Stroboscope / levy, d.a.., 1968
This is a reprint of the book of the same title on white paper stock printed in red ink. Original copies are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Tibetan Stroboscope / levy, d.a.., 1968
The Twelve, and the Scythians / Blok, Alexander ; Jack Lindsay, translator., 1982
Includes illustrations by Yuri Annenkov, which appeared in first edition published in Moscow in 1918. The original of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
the uneasy birth (140567) / Dom Sylvester Houedard., 1968
The full title of the recto side reads 'the uneasy birth of a moral consciousness' and on the verso side, 'archeological and literary material.' -- Source of annotation: Marvin or Ruth Sackner.
the uneasy birth (140567) / Dom Sylvester Houedard., 1968
The full title of the recto side reads 'the uneasy birth of a moral consciousness' and on the verso side, 'archeological and literary material.' -- Source of annotation: Marvin or Ruth Sackner.
The Unknown Loved by the Knowns [Brion Gysin] / Kennedy, Randy; Gysin B; Burroughs WS; Giorno J., 2010
This is a review of an exhibition of the work of Brion Gysin at the New Museum in New York. The curator, Laura Hoptman writes that "in her minds eye Brion Gysin will finally emerge, fully formed, in this retrospective as the artist he really was...This wil be one version of him, And maybe someday all the musicians he knew and all the people he slept with or all the people he had influenced so deeply will end up giving us their own Brion Gysins." -- Source of annotation: Marvin or Ruth Sackner.
The Vagrants / Tilson, Jake., 1986
The Verse: A Digital-Poetical Experiment on Origin and Future of Poetry / Vallias, Andre., 1992
The Village Voice / Toshihiko, Shimizu., 1965
The Visio-Verbal Sins of a Literary Saint / Arias-Misson, Alain., 1993
The Visual-Narative Matrix: Interdisciplinary Collisions and Collusions / Coulter-Smith, Graham, editor ; Schwartzburg M ; Phillips T., 2000
Molly Schwartzburg contributed an essay, "Tracing Traces: Variations on the Theme of the Palimsest in Tom Phillips' A Humument. She concludes that "the palimsestic elements of this book suggest that what we construct is not a stable object. Instead, texts as we read them can only function as parts of a shifting set of relationships determined by the fact of reading." -- Source of annotation: Marvin or Ruth Sackner.