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Visual poetry

 Subject
Subject Source: Sackner Database

Found in 4884 Collections and/or Records:

A Humument Vol 9 / Phillips, Tom., 1970

 Item
Identifier: CC-59468-10002543
Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Humument Vol 10 A / Phillips, Tom., 1970

 Item
Identifier: CC-59469-10002544
Scope and Contents

The colophon called for10 prints in this volume but instead it includes 42 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. There are two boxes labelled Vol. X. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Humument Vol 10 B / Phillips, Tom., 1970

 Item
Identifier: CC-59470-10002545
Scope and Contents

The colophon called for10 prints in this volume but instead it includes 42 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. The colophon is not signed.Theer are two boxes labelled Vol. X. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Iris Clert / Corfou, Michel., 1987

 Item
Identifier: CC-18826-19204
Scope and Contents

This envelope was sent through the postal service. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Journey toward the End in the Shape of Air / Evason, Greg ; Necakov L ; Ross S., 1987

 Item
Identifier: CC-13832-14137
Scope and Contents

This book includes 34 poems excerpted from Evason's "Symptoms of Collage"with collage contributions by Lillian Necakov and Stuart Ross. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

A Konok Macska (Strict Cat) / Istavan, Fabian., 1984

 Item
Identifier: CC-08595-8767
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Life in, 1994

 Item — Box 272: [Barcode: 31858072460938]
Identifier: CC-32946-34563
Scope and Contents

The text of the scroll reads, "A life in hate Haiti fear Rwanda death Bosnia anger America prejudice." The words are printed in varied size typefaces. The background images depict human figures walking within an African landscape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

A Little Box of Workings / spence, pete., 1998

 Item
Identifier: CC-29501-30866
Scope and Contents

The original cardboard box holding these cards was water damaged in the mail. The label was cut from its cover and placed into the envelope substituted for the box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[A Little Collection...] / Spence, Pete., 1995

 Item
Identifier: CC-02995-3040
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

A Little Spin through the Cul-de Sac: Bern Porter's quantum Leaps / Carr, C.; Porter B., 1984

 Item
Identifier: CC-16590-16943
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Manner of to Live / Miglietta, Enzo., 1995

 Item
Identifier: CC-06632-6751
Scope and Contents

The title phrase is repeated throughout the entire drawing in different calligraphic styles and colors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Margem. No.18/Jan-Feb / Rejane Cardoso, editor ; Claudio J ; Brito-Rio M ; Frangione N ; Maggi R ; deAraujo A ; Capistrano L ; Held Jjr ; Sarenco., 1989

 Item
Identifier: CC-45098-47276
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

A Merz Sonata / Rothenberg, Jerome ; Weier, Deborah., 1985

 Item
Identifier: CC-31533-33026
Scope and Contents

The colophon has three coat check tickets indicating that this copy is 467; however, there are only 50 copies in the edition, numbered from 450-500. To eliminate confusion in this listing, this copy is designated 17/50. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

A Micro-Retrospective / Phillips, Tom., 2006

 Item
Identifier: CC-44669-46833
Scope and Contents

This exhibition was held at the time of Tom Phillips' Slade lectures in Oxford. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

A Molest Proposal, 1985

 Item — Box 329: [Barcode: 31858072490950]
Identifier: CC-21650-22061
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

A Mushroom Pocket Booklet, 1980

 Item — Box 324: [Barcode: 31858072490901]
Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / ARTIST BOOKS AND POETRY/BOOK OBJECTS

A Nation in Exile: #4 / Koraichi, Rachid., 1993 - 2000

 Item
Identifier: CC-36975-38808
Scope and Contents This is one of a suite of 21 prints done by Koraichi based upon fragments of a poem by the Palestinian activist poet, Mahmoud Darwish. Koraichi wrote the poems and drew signs, symbols and ideograms onto zinc plates that were then printed with black ink except for small sectors of the prints with red ink. Several of the prints were exhibited in "Global Conceptualism: Points of Origin, 1950s - 1980s, a show that the Sackners saw at Miami Art Museum in 2000. A critical essay by Abdul Kebir Khatibi in the book with the same title (also held by the Sackner Archive) describes this project. He states that the poetry undergoes two transformations: a second writing of writing by Koraichi that is joined by the monogram (pictogram) with its Chinese and/or Japanese look. The calligraphy, which is inspired by the Kufti style regains the geometry of imaginary the articulation of its tracery, the association and dissociation of its designs, the rhythm and power of its lines. Calligraphy...
Dates: 1993 - 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Nation in Exile: #6 / Koraichi, Rachid., 1993 - 2000

 Item
Identifier: CC-36978-38811
Scope and Contents This is one of a suite of 21 prints done by Koraichi based upon fragments of a poem by the Palestinian activist poet, Mahmoud Darwish. Koraichi wrote the poems and drew signs, symbols and ideograms onto zinc plates that were then printed with black ink except for small sectors of the prints with red ink. Several of the prints were exhibited in "Global Conceptualism: Points of Origin, 1950 s - 1980s, a show that the Sackners saw at Miami Art Museum in 2000. A critical essay by Abdul Kebir Khatibi in the book with the same title (also held by the Sackner Archive) describes this project. He states that the poetry undergoes two transformations: a second writing of writing by Koraichi that is joined by the monogram (pictogram) with its Chinese and/or Japanese look. The calligraphy, which is inspired by the Kufti style regains the geometry of imaginary the articulation of its tracery, the association and dissociation of its designs, the rhythm and power of its lines. Calligraphy...
Dates: 1993 - 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Nation in Exile: #21 / Koraichi, Rachid., 1993 - 2000

 Item
Identifier: CC-36773-38597
Scope and Contents This is one of a suite of 21 prints done by Koraichi based upon fragments of a poem by the Palestinian activist poet, Mahmoud Darwish. Koraichi wrote the poems and drew signs, symbols and ideograms onto zinc plates that were then printed with black ink except for small sectors of the prints with red ink. Several of the prints were exhibited in "Global Conceptualism: Points of Origin, 1950s - 1980s, a show that the Sackners saw at Miami Art Museum in 2000. A critical essay by Abdul Kebir Khatibi in the book with the same title (also held by the Sackner Archive) describes this project. He states that the poetry undergoes two transformations: a second writing of writing by Koraichi that is joined by the monogram (pictogram) with its Chinese and/or Japanese look. The calligraphy, which is inspired by the Kufti style regains the geometry of imaginary, the articulation of its tracery, the association and dissociation of its designs, the rhythm and power of its lines. Calligraphy...
Dates: 1993 - 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

A Nation in Exile: #21 / Koraichi, Rachid., 1993 - 2000

 Item
Identifier: CC-38939-40875
Scope and Contents This is one of a suite of 21 prints done by Koraichi based upon fragments of a poem by the Palestinian activist poet, Mahmoud Darwish. Koraichi wrote the poems and drew signs, symbols and ideograms onto zinc plates that were then printed with black ink except for small sectors of the prints with red ink. Several of the prints were exhibited in "Global Conceptualism: Points of Origin, 1950s - 1980s, a show that the Sackners saw at Miami Art Museum in 2000. A critical essay by Abdul Kebir Khatibi in the book with the same title (also held by the Sackner Archive) describes this project. He states that the poetry undergoes two transformations: a second writing of writing by Koraichi that is joined by the monogram (pictogram) with its Chinese and/or Japanese look. The calligraphy, which is inspired by the Kufti style regains the geometry of imaginary, the articulation of its tracery, the association and dissociation of its designs, the rhythm and power of its lines. Calligraphy...
Dates: 1993 - 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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