Visual poetry
Found in 4852 Collections and/or Records:
[to preclude to recognize], 2002
To the Center / Siegal, Barbara., 1977
The work consists of 4 x 4 grid of plexiglas covered, painted and inked, printed scientific texts. The work is mounted within a plexiglas box. -- Source of annotation: Marvin or Ruth Sackner.
To The Ruth & Marvin Sackner Archive of Concrete and Visual Poetry / Strangulensis, Ficus., 1997
[Together You Cannot be Broken or Defeated], 2007
The accompanying sheet retells a story from Doris George regarding her grandfather.
Tokyo Concrete Poetry & Spatialisme / ASA ; Garnier P ; Garnier I ; Gerz J ; Bory JF ; Furnival J ; Finlay IH ; Ulrichs T ; Arias-Misson A ; Niikuni S., 1969
Tola Tola Tola... / Tola, Luigi., 1990
Tola, Tola, Tola... / Tola, Luigi., 1990
Tom Phillips / Phillips, Tom., 1971
This catalogue includes a b&w reproduction of Phillips "Benches"; a poster of this image and the Archive of it is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Tom Phillips / Phillips, Tom., 1970
This catalogur includes a b&w reproduction of a Humument Cartoon, a print in 75 copies; a copy of this print is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Tom Phillips, R.A. / Phillips, Tom ; Sackner RK ; Sackner MA., 1994
The Sackner Archive lent six works to this exhibition which was acknowledged in the pamphlet. -- Source of annotation: Marvin or Ruth Sackner.
Tom Phillips Reads from A Humument / Phillips, Tom., 2013
The flash memory card provides Tom Phillips' reading of A Humument pages along with depiction of the page he is reading from. The Humument print of this record reads, time transparent, - now the arts connect. -- Source of annotation: Marvin or Ruth Sackner.
Tom Phillips: Works from A Humument / Smith, Roberta; Phillips T., 2005
Roberta Smith reviews Tom Phillips' exhibition at Flowers Gallery NYC on June 3, 2005. She was particularly taken with the new collage works that "are the stongest in the show." She adds that "They are made with tiny chips of paper cut from comic books and laid on with dense almost scalelike surfaces... The surprise is that anything new can be done with collage or comics. The reward aside from visual pleasure, is confirmation that anything is possible." -- Source of annotation: Marvin or Ruth Sackner.
Tonto or: The Langwedge. No.5 / bp Nichol., 1966
Two copies are held by the Sackner Archive; there are slight variations in the cover drawings by Nichol. -- Source of annotation: Marvin or Ruth Sackner.
Topics, 1978
The inscription on the envelope stating that the work is unpublished was written by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
Torque: Maximum Rotation Ephemera Series. No.1.1/Mar / damian lopes., 1995
This work is included in an envelope that contained Torque 1.2, Torque maximum rotational ephemeral series 1.1 and 1.2. -- Source of annotation: Marvin or Ruth Sackner.
Torque: Maximum Rotation Ephemera Series. No.1.1/Mar / damian lopes., 1995
This work is included in an envelope that contained Torque 1.2, Torque maximum rotational ephemeral series 1.1 and 1.2. -- Source of annotation: Marvin or Ruth Sackner.
Torque: maximum rotation ephemera series: sublingual for Louise Bak. No.2 / Darren Weshler-Henry., 1995
Tortenelem Alulnezetben / Biro, Jozsef., 1998
Collage depicts an image of a woman with found Hungarian text. -- Source of annotation: Marvin or Ruth Sackner.
Tortenelem Alulnezetben / Biro, Jozsef., 1998
Collage depicts a head portrait of a woman overlaid with surrounding Hungarian text. -- Source of annotation: Marvin or Ruth Sackner.
totale / Segay, Serge., 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.