Luther Blissett is the alto-ego of Piermario Ciani and this book documents his beliefs and works. -- Source of annotation: Marvin or Ruth Sackner.

The printed Hebrew text collaged onto this sculpture was taken from the text of Chronicles in the bible. The object onto which the paper was collaged is an old wine press. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue includes an essay by Marvin Sackner, "The Collector as a Performer" that is printed in English and also French with a translation by Albert Behar, his grandson. Photographic reproductions of the artworks lent by the Sackner Archive as well as an interior photograph of their apartment that houses the Archive are also included in this catalogue. Artists whose works were lent by the SacknerArchive to this exhibition and are photographically reproduced in this catalogue include Ben, Hubaut, Nadau, and Seille. In addition and not photographically reproduced, several Lettriste magazines were also displayed in a case. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue includes an essay by Marvin Sackner, "The Collector as a Performer" that is printed in English and also French with a translation by Albert Behar, his grandson. Photographic reproductions of the artworks lent by the Sackner Archive as well as an interior photograph of their apartment that houses the Archive are also included in this catalogue. Artists whose works were lent by the SacknerArchive to this exhibition and are photographically reproduced in this catalogue include Ben, Hubaut, Nadau, and Seille. In addition and not photographically reproduced, several Lettriste magazines were also displayed in a case. Jacques Halbert has signed his illustrated page and placed a cherry sticker. Joel Hubaut contributed a full page drawing opposite the illustration of his work "Hologramme vivant." He drew this while a guest at the Sackners apartment during the exhibition opening festivities. -- Source of annotation: Marvin or Ruth Sackner.

This book represents a comprehensive survey of Ben Vautier's work from 1957 to 1973. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted of Lewty's mainly more visual than textural works. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. The print is silkscreened onto Arches 88 paper. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. This unsigned print is depicted in black on page 36 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

This panel depicts a component of Furnival's tower works. -- Source of annotation: Marvin or Ruth Sackner.

The poem is formed by dense clusters of words and letters except for the arches that are formed by lines to provide the shape and tilt of the Tower of Pisa. The subject matter deals in part with nations who have held the tower during its existence, e.g., France, Germany, and Italy. This print is depicted in red in one image and black in another image on page 36 og Furnival's book "Lost for Words" (2011). The Sackner copy is printed in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

Relates to the cannabis grown in the gardens of Room 3o2 bookshop. -- Source of annotation: Marvin or Ruth Sackner.

This is a prospectus of an installation piece for exhibition done by the collaborators that was first displayed at the Wesstchester Art Workshop in 1989. -- Source of annotation: Marvin or Ruth Sackner.

Sandra Jackman writes about their trip to New Mexico on the inside of the card. -- Source of annotation: Marvin or Ruth Sackner.

Phillips recounts the creation of Humument and of Trailer in his preface. Trailer was made from the reminders of a second copy of "A Human Document" that Phillips had purchased to paint Humument fragments. Most of the images in Trailer consist of Humument texts and abstract line drawings. -- Source of annotation: Marvin or Ruth Sackner.

Derek Bieulieu comments on back cover: With TRAILERS, Michael Basinski engages in a Joycean celebration offloOwering. As he 'gave up and just repeated again and again singing softly, deeply with his eyes closed, ' the language bloomed past the letters, numerals, wingdings, webs and crickets into a dream language of the 'noise for active space'" -- Source of annotation: Marvin or Ruth Sackner.