The artists sent this contact print from one of their last works that was photographed around Marvin Sackner's birthday. Rimma is the subject with her long, curled hair and her hand holding a red string that penetrates her hair and spells out the word "vita" over her left shoulder. In the letter to Marvin, fastened to the back of the matted photograph, The Gerlovinas write, "Ars longer, vita brevis said the elders, you try to prolong both 'vita' with your profession and 'ars' with your collection." -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts 31 triangular interlocking zones, set at different angles, of varied colored calligraphic and micrographic written letterformed text. Miglietta has also used different spacings between the lines of text and alternating colors for visual effects. -- Source of annotation: Marvin or Ruth Sackner.

The collaborative book is in homage to Africa. Edited and published by Bob Cobbing. An original typed poem by Bill Keith, "ancestral dancers," that appears in this book is held by the Sackner Archive. Several of the original drawings by Pierre Garnier are also held by the Sackner Archive and catalogues as a separate record. -- Source of annotation: Marvin or Ruth Sackner.

Several of the poem drawings have been printed in the book by Pierre Garnier and Bill Keith entitled "Viva Africa!." -- Source of annotation: Marvin or Ruth Sackner.

This colllage is depicted on page 279 of Pignotti's book 'Figure Scritture.' -- Source of annotation: Marvin or Ruth Sackner.

The image on the top half of this drawing on gray paper is an intersecting circular grid formed with white written letterforms. The lower half of the drawing depicts a square shaped intersecting grid formed with black written letterforms. -- Source of annotation: Marvin or Ruth Sackner.

This set of cards documents an event that took place at the Manchester Poetry Festival. In a 2002 brochure the following was stated, 'Writer Philip Davenport and artist Phil Sayers have made a series of poster poems. This is an around the city exhibition. At first glance simply fashion posters, the young "female" model is actually a 56 year old man in drag; the words are a poem, not a sales pitch... made by cutting up articles from fashion magazines... Davenport's previous Imaginary Missing People (published Writers Forum 1999) several hundred missing person poster poems bill-posted in Manchester, London, Brighton. Phil Sayers has been an artist since the 1970s, exhibiting nationally and internationally. His work questions gender, celebrates transvestism.' -- Source of annotation: Marvin or Ruth Sackner.

The publication of this catalogue was supported in part by the Sackner Archive. Peter Larkin contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips designed the cover using a Humument page. Germano Celant contributed an essay, "Artists' Manifestos & Magazines." -- Source of annotation: Marvin or Ruth Sackner.

Although the artists were not part of the New Realism group, the iconography of the decollages is in the spirit of that movement. The edition size is 30 but the individual works themselves are unique. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet lists exhibitions and catalogues of concrete and visual poetry in international venues from 1959 through 1980. -- Source of annotation: Marvin or Ruth Sackner.

Each page of this book depicts curved parallel lines simulating a vortex onto which have been drawn a scant amount of letters and markings. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of 6 visual and concrete poems of varied dimensions by Argentine and Spanish poets and eight poems by Brossa. Fernando Garcia Delgado contributed a photograph of a Scotch whiskey bottle with the name Joan Brossa and biographical details superimposed on the J & B designation. This object is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.