Visual poetry
Found in 4885 Collections and/or Records:
Visual Poetry Poster Series: Hoje e Dia de Sao Valentim. No.11 / Ana Hatherly., 2009
Visual Poetry Poster Series: Holding. No.1 / Helen White., 2009
The image depicts a hand holding string which when projected as a shadow to the background spells the word, "holding." -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Poster Series: Legato. No.16 / Rebecca Eddy., 2009
Visual Poetry Poster Series: Mayhem Poem. No.3 / Ted Warnell., 2009
Visual Poetry Poster Series: Parisiten. No.5 / Klaus Peter Dencker., 2009
Visual Poetry Poster Series: Poemaos Azul. No.14 / Neide Sa., 2009
Visual Poetry Poster Series: ruudukko. No.2 / Satu Kaikkonen., 2009
Visual Poetry Poster Series: The Last Bullet. No.12 / Edward Kulemin., 2009
Visual Poetry Poster Series: the sun of somewhere. No.4 / Susan Sari., 2009
Visual Poetry Poster Series: where do words go?. No.18 / Maria Papacharalambous., 2009
Visual Poetry Poultry / Katherina Eckhart., 1998
The sculptural image is a stylized chicken with mostly illegible, fragmented, writings and rubberstamped phrases with dada and fluxus content on its surface. The name of the bird/birdlike chararcter is Loplop who is featured in prints, collages and paintings by Max Ernst. Lopllop was an alter ego which Ernst developed and functioned as a familiar animal. Loplop first appeared in Ernst's collage novels La Femme 100 Tetes and in Une Semaine de Bonte in the role of a narrator and commentator. The cardboard box base has illegible handwriting on its lid, rubberstamped words DADA and stylized chicken heads on its sides, and rubberstamped, stylized heads of chickens within the inside bottom of the box. -- Source of annotation: Marvin or Ruth Sackner.
[Visual Poetry Prints aka 5 postcards] / Oberto, Anna., 1971
The Anna Oberto photographs are housed in the same envelope. -- Source of annotation: Marvin or Ruth Sackner.
[Visual Poetry Prints aka 6 postcards] / Oberto, Anna., 1971
The titles of the prints which the photographs depict are: Situazione 1971, Reflex l'italiana '69, Manifesto femminista 1970, Anautopia per la citta ideale 1973, Langiatic formula 1967, and Manifesto femm. anaculturale 1971. The Martino Oberto photographs are housed in the same envelope. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry / Soroka, Mykola., 1997
This book was printed on the occasion of the International Conference on Visual poetry, Eye Rhymes, held in June 1997 in Edmonton, Canada. Marvin Sackner met Sokola there and also presented a paper on the creation of the Archive database. -- Source of annotation: Marvin or Ruth Sackner.
Visual Test / De Araujo, Avelino., 1983
Visual Voices: The Poem As a Print Object / Weiss, Irving., 1994
This is a reprint of selected sections of the book with the same title. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Synoptic Poem in Three Dimensions: Physique, Energy, and Syntax; page 86 / Weiss, Irving., 1994
This poem is based upon Milton, "On His Blindness" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; The Poem Is Its Own Television; page 37 / Weiss, Irving., 1994
This poem is based upon Colin Francis, "Tony O!" -- Source of annotation: Marvin or Ruth Sackner.