Includes photographs of Alison Knowles' "Big Book." -- Source of annotation: Marvin or Ruth Sackner.

This sumptious illustrated book depicts extensive examples of Dencker's visual poetry and artist books. In the introduction, Karl Young writes that Dencker's "unpublished archives may identify as many late 20th Century visual poets as any in the world. (The collection of Ruth and Marvin Sackner is the only probable contender for equal range.)" Also, designated publication PN1. The print accompanying this book was based upon a collage made in 1996. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the artists and depicts their visual poems in a contest for the best works. The winners were Gerhild Ebel, Reinhard Klessinger, and Axel Georg Malik; works by all of these artists are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This detailed survey of Japanese visual poetry accompanied the exhibition that was curated by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of the prints by Ann Noel, You and Negative, both held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners participated in a marathon discussion about visual poetry held in conjunction with this exhibition that was subsequently broadcasted on Saarbrucken radio. The originals of Ruutsalo's ABC film depicted on pages 95 and 95 as well as prints and typings on pages 98-101 were purchased by the Sackners and are now held by the Sackner Archive. The book depicted on page 112 by Linda Christenell, Loterie Romaine 1 on page 126 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The small soft cover book is the catalogue for the exhibition that was curated by Uwe Warnke. The large soft cover book consists of contributions from the exhibitors that differ in imagery from those works which were shown. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the deluxe edition. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a unique collection of small editioned (3-12) prints and photographs and a unique drawing inspired by Rock & Roll music that were printed from 1980-1992. The musicians included John Cale, Johnny Rotten and the Sex Pistols, Fleetwood Mac, Jim Morrison, Alice Cooper, Jerry Hall and the Rolling Stones among others. -- Source of annotation: Marvin or Ruth Sackner.

The artists sent this contact print from one of their last works that was photographed around Marvin Sackner's birthday. Rimma is the subject with her long, curled hair and her hand holding a red string that penetrates her hair and spells out the word "vita" over her left shoulder. In the letter to Marvin, fastened to the back of the matted photograph, The Gerlovinas write, "Ars longer, vita brevis said the elders, you try to prolong both 'vita' with your profession and 'ars' with your collection." -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts 31 triangular interlocking zones, set at different angles, of varied colored calligraphic and micrographic written letterformed text. Miglietta has also used different spacings between the lines of text and alternating colors for visual effects. -- Source of annotation: Marvin or Ruth Sackner.

The collaborative book is in homage to Africa. Edited and published by Bob Cobbing. An original typed poem by Bill Keith, "ancestral dancers," that appears in this book is held by the Sackner Archive. Several of the original drawings by Pierre Garnier are also held by the Sackner Archive and catalogues as a separate record. -- Source of annotation: Marvin or Ruth Sackner.

Several of the poem drawings have been printed in the book by Pierre Garnier and Bill Keith entitled "Viva Africa!." -- Source of annotation: Marvin or Ruth Sackner.

This colllage is depicted on page 279 of Pignotti's book 'Figure Scritture.' -- Source of annotation: Marvin or Ruth Sackner.