Visual poetry
Found in 4852 Collections and/or Records:
Vortex3. No.5/Dec / Fernando Garcia Delgado, Juan C. Romero, editors ; Fierens L ; Chirot D ; Lenoir P ; Perkins J ; Signorini L ; Lumb M ; Andreoni L ; Maggi R ; Diotallevi M ; Leigh M., 1998
This issue consists of ten visual poems of varied dimensions. -- Source of annotation: Marvin or Ruth Sackner.
Vortex3. No.6/Mar / Fernando Garcia Delgado, Juan C. Romero, editors ; Decie J ; Perkins S ; Molinari M ; Quesada R., 1999
This issue consists of ten visual poems of varied dimensions. -- Source of annotation: Marvin or Ruth Sackner.
Vortex3. No.7/Jun / Fernando Garcia Delgado, Juan C. Romero, editors ; Ferreira B ; Pilcher BE ; Sassu A ; Maggi R ; Varney E ; Weiss I ; Kamperelic D ; Menghi N ; spence p ; Bennett JM ; Ferrari L ; Petasz P ; Restrepo T ; Perneczky G ; Perez-Cares A ; Mittendorf H., 2001
This issue consists of 20 visual and concrete poems of varied dimensions. -- Source of annotation: Marvin or Ruth Sackner.
Vortex3. No.8/Sep / Fernando Garcia Delgado, Juan C. Romero, editors ; Baroni G ; Baroni V ; Aguiar F ; Sobrino J ; Bulatov D ; Turner A ; Dellafiora D ; Collins B ; Gagnon JC ; Mizzi D ; deAraujo A ; Jesch B., 2001
This issue consists of 15 visual and concrete poems of varied dimensions. -- Source of annotation: Marvin or Ruth Sackner.
Vortex3. No.10/Mar / Fernando Garcia Delgado, Juan C. Romero, editors ; Sasso V ; Olbrich JO ; Breuer T ; Perkins S ; Nakamura K ; Beltran JC., 2002
Vote For Boredom Party of Canadada Candy Date / Stake, Chuck., 1974
Vou. No.94 / Kitasono Katue, editor ; Kitasono K., 1964
Vou. No.115 / Kitasono Katue., 1967
Vox 1 / Babenko, Dmitry., 1999
Vox 2 / Babenko, Dmitry., 1999
Vox 3 / Babenko, Dmitry., 1999
[Vp=vP] / Gunther, Thomas., 1997
The photograph is of an exhibition case with the publication of Vp=Vp by Gunther. -- Source of annotation: Marvin or Ruth Sackner.
vvlissiioonnss / Topel, Andrew., 2009
Wacky Packages / Topps Company ; Spiegelman A ; Lynch J., 2008
The introduction by Art Spiegelman traces the history of these stickers which began in 1973. These were given out with the purchase of Topps bubble gum. Spiegleman and others subtly altered the graphics on the packages of well known brands to provide a different message. -- Source of annotation: Marvin or Ruth Sackner.
Wall Marks / Parritt, Simon., 1975
Wall Street Journal, The: [Sun Bank Advertisement]. Oct 16 / Anonymous., 1989
The illustration is of an eye with collage newstype. -- Source of annotation: Marvin or Ruth Sackner.
Wall Street Journal, The: [Sun Bank Advertisement]. Oct 23 / Anonymous., 1989
The illustration is of an ear with collage newstype. -- Source of annotation: Marvin or Ruth Sackner.
War Sand, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.
Wards of Obsolescence, 1995
Warum A. Hitler Doch Ein Kunstler Wurde, 1996
Theme deals with Hitler's career as a failed artist. The portrait of Hitler carried throughout the book is an abstracted image of his two most prominent features, his hairline and moustache. Andryczuk contributes a critical essay. -- Source of annotation: Marvin or Ruth Sackner.