Visual poetry
Found in 4884 Collections and/or Records:
Acqua / Vaccari, Franco., 1966
The photograph depicts a visual poem dealing with the theme of saving water. The visual component of the poem is a blimp. -- Source of annotation: Marvin or Ruth Sackner.
[Acrobat] / Berry, Jake., 1988
Action of the Electric Nerve Fluid / Herms, George., 1982
The black stencilled letters cover the top 2/3 of the drawing, A finger on a hand drawn at the bottom of the panel points to the word LOVE stamped in energy waves. "For June" is stencilled at the bottom. The background colors are red, gold and beige. -- Source of annotation: Marvin or Ruth Sackner.
Action of the Electrical Nerve Fluid For June, 1970
Acts The Shelflife, The: Make Ready Documents. / Miekal And, Elizabeth Was, editors ; And M ; Brannen J ; Cairns P ; Cole D ; Ganick P ; Hill C ; Olbrich JO ; Polkinhorn H ; Porter B ; Regib M ; Stake C ; Stetser C ; Sutherland Z ; Was E., 1987
This publication was conceived as an extension of Assembling. -- Source of annotation: Marvin or Ruth Sackner.
[Adrian Gargett] / Leftwich, Jim., 2007
Advertisement: Publications / curry, jw., 1980
This advertisement includes text for Curvd H&Z, th wrrecking ballzark, pomez a penny, and sticky lights. The found poetry was taken from comic strip captions. -- Source of annotation: Marvin or Ruth Sackner.
AEIOU / Rypson, Piotr., 1981
Aeolus, Ulysses / Joyce, Paul., 1997
Paul Joyce is the great grandnephew of James Joyce. This print uses texts from the chapter, Aeolus, in James Joyce's Ulysses. The main image is a cubist portrait of Myles Crawford. -- Source of annotation: Marvin or Ruth Sackner.
After me come the void / Cavellini, Guglielmo Achille., 1984
After the End. No.2 / Greg Evason, editor ; curry jw ; Evason G., 1985
After the End. No.7/Dec / Greg Evason, editor ; Was E ; Bennett JM ; Miskowski M ; Basmajian S ; Evason G ; Berry J ; Beining G ; Nichol bp ; lefler P ; j(o(h)n)ston b ; Bradley Df ; Power N., 1988
Each page depicts a poem or artwork of the contributors. -- Source of annotation: Marvin or Ruth Sackner.
After the End. No.7/Dec / Greg Evason, editor ; Was E ; Bennett JM ; Miskowski M ; Basmajian S ; Evason G ; Berry J ; Beining G ; Nichol bp ; lefler P ; j(o(h)n)ston b ; Bradley Df ; Power N., 1988
Each page depicts a poem or artwork of the contributors. -- Source of annotation: Marvin or Ruth Sackner.
After the Sweets, 1994
Agama / Skuber, Berty., 1992
Agama is a Sanscrit word that means acquisition of knowledge. -- Source of annotation: Marvin or Ruth Sackner.
Agenda / Musicmaster., 2003
Agentzia Blatt: Untitled. No.1, 1970
Letters, numbers and punctuation marks of varied font sizes appear to be falling, in a random arrangement, from the upper right hand corner of the print until reaching a circle filled with the photograph of a large group of people. The circle appears to represent a magnifying glass. The interpretation of this image is unclear. The duplicate copy is folded. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: In Concreto, No. 2, 1968
Includes folded posters, Jochen Gerz, Blatt-Nr.1: Untitled and Julien Blaine, Blatt-Nr.4. The poster by Gerz is included in Agentzia 2 but is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia. No.11-12 / Jochen Gerz, Jean-Francois Bory, editors ; Cobbing B ; Gerz J ; Bory JF ; Sarenco ; Ben ; Kostelanetz R ; Garnier P ; Niikuni S ; Gross R ; Padin C ; Kitasono K ; Blaine J ; Arias-Misson A ; Furnival J ; DeVree P ; Carrega U ; Moineau JC ; Sitta C ; Vaccari F ; Lane B ; Wildman E ; Perfetti M ; Toshihiko S., 1968
Typewriter poems are printed on two of the translucent paper pages. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: Poesie est Violence. No.30 / Eugenio Miccini., 1971
The collages are tipped-in, printed visual poems. -- Source of annotation: Marvin or Ruth Sackner.