Scope and Contents

Eye a book object from 1983 held by the Sackner Archive is depicted in this book. The CD is titled "Visual Poetry in the Avant Writing Collection, Ohio State University. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book served as the catalogue for the exhibition of Phillips' work in the Royal Academy Sackler Gallery, London. Huston Paschal writes in the introduction that "Phillips explores the timeless marks encoding meaning...and he is on a search for self." Several references are made to the Sackners in the text written by Phillips, and many works in the Archive are illustrated including "Oh Those Reds, Speaking in Tongues, The Dante Binding, Humument Globe, The Dante Diary, and A Humument Pages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book served as the catalogue for the exhibition of Phillips' work in the Royal Academy Sackler Gallery, London. Huston Paschal writes in the introduction that "Phillips explores the timeless marks encoding meaning...and he is on a search for self." Several references are made to the Sackners in the text written by Phillips, and many works in the Archive are illustrated including "Oh Those Reds, Speaking in Tongues, The Dante Binding, Humument Globe, The Dante Diary, and A Humument Pages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Wade Wilson contributes an incisive essay on the technical, socio-political and artistic background of Horndeski's paintings. "The artist paints on a horizontal canvas, like Pollack, with a knife and uses fluid acrylic paints which permit him to "achieve some remarkable effects as the paints mix on the canvas." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive lent the 33 works of the "Anna Magdelena Bach Notebook" to this exhibition which traveled to three additional museums. Paula Harper contributed a critical essay, "Elena Presser's Passion." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive lent the 34 works of the "Anna Magdelena Bach Notebook" to this exhibition which traveled to three additional museums. Paula Harper contributed a critical essay "Elena Presser's Passion." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The stamp depicts the face of a woman with letters overlying it captioned with MomMe. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This pagesin this assembling were taken from six periodicals amd books published in East Germany. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Also designated Curvd H&Z No.234. The image was drawn by bp Nichol in 1973. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This card is also listed as Curvd H&Z No.263. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Continuation of an archive of Richard Tipping's work, announcements, poetry, articles, journals from 1989 to 1994. During his round-the-world trip in 1994 researching artists' books, Tipping visited the Sackner Archive. Includes pamphlet of conventional poems, "Five O'Clock Shadows" (6/100) -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book is written about the author as if someone else is making the observations (a pseudo-autobiographical narrative). From the back book cover: In "Writing Machines", N. Katherine Hayles explores how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts. Hayles weaves together intellectualized theory and pseudo-autobiographical narrative, the cultures of science and the humanities, and through her collaboration with Anne Burdick, the mandates of writing and design. Hayles inaugurates media specific analysis in literary studies, investigating words that focus on the very inscription technologies that produce them. She analyzes three writing machines in depth: Talan Memmott's groundbreaking web hypertext "Lexia to Perplexia," Tom Phillips's artist's book "A Humument," and Mark Z. Danielewski's...

Scope and Contents This book is written about the author as if someone else is making the observations (a pseudo-autobiographical narrative). From the back book cover: In "Writing Machines", N. Katherine Hayles explores how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts. Hayles weaves together intellectualized theory and pseudo-autobiographical narrative, the cultures of science and the humanities, and through her collaboration with Anne Burdick, the mandates of writing and design. Hayles inaugurates media specific analysis in literary studies, investigating words that focus on the very inscription technologies that produce them. She analyzes three writing machines in depth: Talan Memmott's groundbreaking web hypertext "Lexia to Perplexia," Tom Phillips's artist's book "A Humument," and Mark Z. Danielewski's postprint...

Scope and Contents

This is the first volume of three planned for the series. Each of the artists/poets contributed an in-depth essay describing their works and philosophy.There is a photograph of Karl Young holding his book, "Make a Joyful Noise" that is held by the Sackner Archive. The Sackner Archive helped support publication of this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive and is illustrated in the catalogue. The latter also provides prices of the books. -- Source of annotation: Marvin or Ruth Sackner.