Visual poetry
Found in 4862 Collections and/or Records:
Writing to Be Seen: Book and Related Arts / Ernst, Kathy, editor ; Rosenberg, Marilyn R., editor ; Grumman B ; Beining G ; Cole D ; Ernst KS ; Fox W ; Helmes S ; Hill C ; Keith B ; Kempton K ; Lipman J ; Rosenberg MR ; Stetser C ; Young K., 2003
An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[x)...] / Caruso, Luciano., 1990
The drawing on the left side of the folio is collaged to the paper; the drawing on the right side has been done directly on the paper of the folio. -- Source of annotation: Marvin or Ruth Sackner.
[x] / Harris, Ken., 2000
X Proof / Saunders, Robert., 1980
X Proof / Saunders, Robert., 1980
XEBEC / Madson, Jerry., 1981
Xerolage: 2 Juries + 2 Srories = 4 Stories. No.55 / K.S. Ernst ; Shiela E. Murphy., 2013
Xerolage: [35]. No.29 / Carla Bertola., 1999
Xerolage: Analgesic Poems. No.19 / Cesar Figeiredo., 1990
Xerolage: Dilapidarium. No.33 / Carlos M. Luis., 2005
Xerolage: dug hud. No.40 / John M. Bennett., 2008
In this issue, an interview of Bennett provides insight into how Bennett views his work. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Entrails. No.31 / Michael Basinski., 2003
Xerolage: Found rubBeings. No.32 / David-Baptiste Chirot., 2004
Chirot's art consists of rearranging found street texts and objects by frottage. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: [I am Concealed]. No.24 / James Koehnline., 1992
Xerolage: Imaginal Landscapes. No.38 / Peter Ciccariello., 2006
Each page depicts a single visual poetic landscape. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Infrapics. No.35 / Irving Weiss., 2005
Weiss writes that Infrapics "ultimately derive from the presentation of an image, icon, or text with identifying or explanatory words...going back to the emblem poem." Stored in Weiss box. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Intrusions. No.56 / Rosaire Appel., 2013
Xerolage: Linear Arrangements. No.36 / Larry Quarles., 2005
Subtitled More Effects form our Primodial Constriants, Quarles art is derived from the computer programs Photoshop and Java. -- Source of annotation: Marvin or Ruth Sackner.