Visual poetry
Found in 4885 Collections and/or Records:
Writing To Be Seen: An Anthology of Later 20th Century Visio-Textual Art: Volume One / Grumman, Bob, editor ; Hill, Crag, editor ; Stetser C ; Helmes S ; Keith B ; Lipman J ; Beining G ; Rosenberg MR ; Cole D ; Ernst KS ; Young K ; Polkinhorn H ; Fox B ; Kempton K ; Sackner RK ; Sackner MA., 2001
This is the first volume of three planned for the series. Each of the artists/poets contributed an in-depth essay describing their works and philosophy.There is a photograph of Karl Young holding his book, "Make a Joyful Noise" that is held by the Sackner Archive. The Sackner Archive helped support publication of this book. -- Source of annotation: Marvin or Ruth Sackner.
Writing to Be Seen: Book and Related Arts / Ernst, Kathy, editor ; Rosenberg, Marilyn R., editor ; Grumman B ; Beining G ; Cole D ; Ernst KS ; Fox W ; Helmes S ; Hill C ; Keith B ; Kempton K ; Lipman J ; Rosenberg MR ; Stetser C ; Young K., 2002
An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive and is illustrated in the catalogue. The latter also provides prices of the books. -- Source of annotation: Marvin or Ruth Sackner.
Writing to Be Seen: Book and Related Arts / Ernst, Kathy, editor ; Rosenberg, Marilyn R., editor ; Grumman B ; Beining G ; Cole D ; Ernst KS ; Fox W ; Helmes S ; Hill C ; Keith B ; Kempton K ; Lipman J ; Rosenberg MR ; Stetser C ; Young K., 2003
An artist book, "Typoems" by Scott Helmes was lent to the exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[x)...] / Caruso, Luciano., 1990
The drawing on the left side of the folio is collaged to the paper; the drawing on the right side has been done directly on the paper of the folio. -- Source of annotation: Marvin or Ruth Sackner.
[x] / Harris, Ken., 2000
X Proof / Saunders, Robert., 1980
X Proof / Saunders, Robert., 1980
XEBEC / Madson, Jerry., 1981
Xerolage: 2 Juries + 2 Srories = 4 Stories. No.55 / K.S. Ernst ; Shiela E. Murphy., 2013
Xerolage: [35]. No.29 / Carla Bertola., 1999
Xerolage: Analgesic Poems. No.19 / Cesar Figeiredo., 1990
Xerolage: Dilapidarium. No.33 / Carlos M. Luis., 2005
Xerolage: dug hud. No.40 / John M. Bennett., 2008
In this issue, an interview of Bennett provides insight into how Bennett views his work. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Entrails. No.31 / Michael Basinski., 2003
Xerolage: Found rubBeings. No.32 / David-Baptiste Chirot., 2004
Chirot's art consists of rearranging found street texts and objects by frottage. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: [I am Concealed]. No.24 / James Koehnline., 1992
Xerolage: Imaginal Landscapes. No.38 / Peter Ciccariello., 2006
Each page depicts a single visual poetic landscape. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Infrapics. No.35 / Irving Weiss., 2005
Weiss writes that Infrapics "ultimately derive from the presentation of an image, icon, or text with identifying or explanatory words...going back to the emblem poem." Stored in Weiss box. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Intrusions. No.56 / Rosaire Appel., 2013
Xerolage: Linear Arrangements. No.36 / Larry Quarles., 2005
Subtitled More Effects form our Primodial Constriants, Quarles art is derived from the computer programs Photoshop and Java. -- Source of annotation: Marvin or Ruth Sackner.