Scope and Contents The theme of the print, Phillips' Dante Diary, is presented as a montage of text and images selected from the original drawings and collages. The strongest image in the upper right side of the print is a drawing of a skeletal-like head which Tom Phillips describes as "Head as House of Memory." It is fashioned of rooms twisting and turning inside a skull, reminiscent of Escher, with several running or falling figures. The head is duplicated in a much smaller version elsewhere on the print surface. Other themes pictorially and typographically represented include Dante in Brazil - Copacabana Beach, Dante a Milan and Dante in Botswana. The upper right side of the print contains architectural drawings that resemble Phillips' complex castle prints. The drawings are noted as "Seven sided house of folly." Further images include a drawing of the artist's hand writing the Italian text of the Inferno, a photograph of Tom Phillips at Dante's tomb in Ravenna, a page from "A Human Document," a...

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "falter / drop / fall" "silent, lost / and helpless / sailing" "boat of dreams, and / lost / fear" "boat which is the dream / wreck Come / in" "for / none / return / from the Chance / in themselves / contained" -- Source of annotation: CEND.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This print illustrates the canto in which Dore depicts Charon rowing a boat in the river Acheron in a lake with Phillips' comments from A Humument with the words, "bitter boating." This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The print depicts a bust of Dante with a Humument text that begins, " six now, - with him there, the foremost in Europe - that poets of poets..." This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. This print depicts intertwined figures suggesting sexual intercourse. Part of A Hument page has been collaged onto the print with a poem that reads, "all the time -For all the time - a curse for ever! - a tissue of interlacing twofold consciousness - ourselves united - passion all the time." Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Tom Phillips altered this image in Canto V in his final version of the Inferno such that the calligraphic text was eliminated, the background was changed from black to gray and pink, a giant phallus with balls was depicted, and only the Humument text without...

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "Already the dream of dreamshe whispers - water blind imagination- speeding away piercing the dull - all came floatingtrue men - othe very names - touch the sea -pouring past world to mountain -The greenseen for a minute." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The Humument text of this print reads, " master -- if these trees could talk, what hard observations were in that ache of wood." This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This print is from the first version of the work which was mostly destroyed in a fire at Editions Alecto. Less than three copies of the prints from the first version survived. Tom Phillips annotated this print which he reproduced in the final version of Dante's Inferno. The calligraphic, Italian text of the poem on the bottom left corner of this Editions Alecto print was eliminated in the Talfourd Press version. Phillips' commentary in the Thames and Hudson edition of Dante's Inferno iconographical notes and commentary reads, "in a welter of fire Ser Brunetto [Dante's teacher Brunetto Latini] races away across the plain. The figure is from a watercolour that I made from one of Muybridge's indispensable photo sequences from 'The Human Figure in Motion.' Dante's teacher is here seen as if heading for the cloth of green mentioned at the end of the Canto as the prize in a foot-race (in which indeed the runners are naked). The green echoes the shape once again of the lawn of a 'Folly...

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Text reads "amongst a group of / the figure of a man / made over / some wild-eyed / horse / impetuously" "savage / in the great / deep irregular ditch / vague masses of / red / red / princely / men were / shadows and echo, and the horses tramped" Added: CEND

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This print depicts a side silhouette of Dante's face gazing at disintegrating fleur-de lyes. The Humument text of this print reads, "the fire-flies vibrate, some near, some distant. ages among the A pennines - speak stances What grand stances - o Italy - If ever I do resent- my music of the conscious pen - the din the clatter - clatter of purpose pushed." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.