Visual poetry
Found in 4875 Collections and/or Records:
Echoes of Silence / Baroni, Vittore., 1980
[Economic Warfare] / Leftwich, Jim., 2007
Ecriture de Claude Nougaro / Corfou, Michel., 1988
Ecriture de Fred / Corfou, Michel., 1988
Ecriture de J.R. / Corfou, Michel., 1987
Ecriture d'Iris Clert / Corfou, Michel., 1988
Ecstatic Alphabets/ Heaps of Language / Laura Hoptman, curator ; Marinetti FT ; Schwitters K ; Lissitzky E ; Duchamp M ; Apollinaire G ; Hausmann R ; DeCampos A ; DeCampos H ; Pignatari D ; Azeredo R ; Cage J ; Johns J ; Michaud H ; Roth D ; Lijn L ; Williams E ; Maciunas G ; Schendel M ; Smithson R ; Finlay IH ; Chopin H ; Camnitzer L ; Acconci V ; Mayer B ; Broodthaers M ; Kriwet F ; Giorno J ; Nauman B ; Kitasono K ; Ono Y ; deCointet G ; Knowles C ; Rosen K ; Tiravanija R ; Giorno J., 2012
This print-out serves as a catalog for the exhibition at MoMA. -- Source of annotation: Marvin or Ruth Sackner.
Edel-Weiss-Konig, 1987
[edge] / Harris, Ken., 2000
Edifice Wrecks / Martin, Ross., 1995
Pages were reproduced from old scientific books and then collaged with images found in the same or similar books. The page numbers are not ordered but refer to those in their original book. -- Source of annotation: Marvin or Ruth Sackner.
e.e. cummings: L (a leaf falls) oneliness , 1995
This work is based on a poem by e.e. cummings from 1958. "L (a leaf falls) oneliness" -- Source of annotation: Marvin or Ruth Sackner.
Effetto Donna / Bentivoglio, Mirella, editor ; Maurizi, Elverio, editor ; Alloatti A ; Bentivoglio M ; Berberian C ; Binga T ; Claire P ; Danon B ; Diamantini C ; Esposito A ; Garnier I ; Gut E ; Klophaus A ; Regina ; Sandri G ; Solt ME ; Torelli A ; Weller S., 1984
This also was an exhibition catalogue for show at Palazzo Oliva in Sassoferrato, Italy. -- Source of annotation: Marvin or Ruth Sackner.
egalite / Fierens, Luc., 2011
Egg Series: A Curate's Egg, Imperially Hatched, To be Viewed Landscape / Furnival, John., 1976
Curate is a British term for the assistant to a vicar of the Church of England. The egg shell has been divided into 16 segments, each with a different style of line-drawn hatchings. A lower case letter appears in negative relief on ten of the segments which spells, "excellent." This is a spoof on the British religious tradition. -- Source of annotation: Marvin or Ruth Sackner.
Eiffel Tower May 1968 / Furnival, John., 1968
The layout and implications of this poem are similar to Arc d'Triomphe May 1968. Here the Eiffel tower formed by calligraphic text substitutes for Arc d'Triomphe and receives ejaculate from a penis shaped with calligraphic text, newspaper headlines and a collaged Albert-Birot print (Paridis). Text of the poem is a sympathetic response to the student rebellion in France during May 1968. -- Source of annotation: Marvin or Ruth Sackner.
Eight Letter Poems / Cobbing, Bob., 1981
The prints of these collages, also held by the Sackner Archive, were published by Writers Forum in 1982. -- Source of annotation: Marvin or Ruth Sackner.
Ein Deutsches Requiem After Brahms / Phillips, Tom., 1972
This was the first purchase by the Sackners of a Tom Phillips artwork. It was acquired fom Galerie Bama in Paris. According to the colophon, this is a suite of 12 lithographs bvased on Brahms Opus 45. The images were derived from postcards collected by Phillips in Germany and have inset texts, which are treated fragments of the novel 'A Human Document' by W H Mallock, and titles quoting the textural material of the Requiem itself. One of the prints has been framed and hangs in the first floor hallway. In the BBC Music magazine (JUne 2013), comments about the CD of the month Brahms's 'A German Requiem' included the following.This Requiem does not mention Jesus nor is there a fire-breathing 'Dies Irae' striking fear into souls of potentially errant isteners! This is a requiem that sets a German not Latin text to music and doesn't pray for the well-being of the dead but instead comforts the living. -- Source of annotation: Marvin or Ruth Sackner.
Ein Dichterleben / Rixdorfer Drucke; Eisendle, Helmut; Bremer U; Schindehutte A; Vennekamp J; Waldschmidt A., 1976
The colophon utilizes typographical elements to depict the bearded face of a poet such that an exceptionally good, visual poetic, letter picture, image is presented. Each print is signed by the individual member of the group who composed them. -- Source of annotation: Marvin or Ruth Sackner.