In a communication to the Sackners, Torres states that this print is a calligraphic comic made by scanning the original drawing that used black & red india ink, rapidograph pen, x-acto blade, enamel coated glossy paper, and glue with meticulously precise letterforms with minimally rendered characters in freeform angles offset by geometrics. The text was inspired by rap music, H-Man meets his villain BauBug with a cryptic "to be continued" at the end. Horrendo Man meets Bau-Bug. Don't be callin' me no louse. Amma froma BauHouse. Amma muncha people,too! Bau-Bug is afta you! "Translate the slate, Jack...that bug is wack!" Hey mates, constructivate, Moholy-Nagy's no holy fate! This Mister Motown's onna motel kick. He's an overgrown Geometric. "Pardon me, Si Cumference...go drug yo jug. If radiance could fly, it be I...Bau-Bug!" 2-B Scene -- Source of annotation: Marvin or Ruth Sackner.

Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was done by Gianfranco Baruchello. -- Source of annotation: Marvin or Ruth Sackner.

This is the manuscript of a talk on Tom Phillips' "A Humument" delivered by Schwenger before The Modern Language Association in a session that dealt with "Peritext" - all that surrounds a text. -- Source of annotation: Marvin or Ruth Sackner.

The card consists of several small drawings of people encountered during the Sandra Jackman's visit to the Prado Musem in Madrid. -- Source of annotation: Marvin or Ruth Sackner.

Each card was sent to Ruth Sackner at a different time and with a single letter in random order. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. The works to the exhibition were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. This is a varient copy with a yellow rather than red border on the cover. The works to the exhibition were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. This is a varient copy with a yellow rather than red border on the cover. The Sackner Archive lent Phillips' works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of Varney's works to date of publication. -- Source of annotation: Marvin or Ruth Sackner.

The print reads:" One man in the dusk is so much like another." - angel, it was Bill - instantly, "Instantly!" the shortest. - it is large saving yourself the delicacy - open the suction miss Gott! - Have no scruple in using me on you; no one depends on your tools, and begin about it. Bobby you pesth - "Irma! Irma!" under his breath, - let him die doctor in another sofa. - we got an intellectual silenced - then, never God! pain wince." -- Source of annotation: Marvin or Ruth Sackner.

The print depicts deconstructed images all involving women. The texts read from image on left to right and top to bottom, "(1) a course in Sussex; (2) a photograph of a curious muse; (3) constant to the subject - the subject extended - he talked and his range came - pursuing the subject; (4) fair sex in various capitals - the politics show; (5) came across a picture of flesh; and circles - The Art revelation; (6) her, smiling her last. - they were Europe." -- Source of annotation: Marvin or Ruth Sackner.