New realism
Found in 50 Collections and/or Records:
Tombeau de Pierre Larousse (TPL), 1961
[Untitled] / Dufrene, Francois ; Villegle J ; Jouffroy A ; Hains R., 1988
[Untitled] / Hains, Raymond ; Restany P ; Castellucci P., 1976
[Untitled] / Villegle, Jacques., 1971
Urbi & Orbi: Crossing Time and Space / Villegle, Jacques ; Deke Dusinberre, translator ; Muller M., 2012
In the chapter titled "Spontaneous Manifestation" Villegle writes,"Paradoxically, laceration is connective: the torn, divided, destroyed parts trigger relationships with a mutilated world of harlequins, tonal medleys, untotalizable or apparently unconnected fragments. A wrenching slash, by uncovering successive layers of paper, helps to create a new, suggestive meaning that unifies the highly divergent phenomena printed thereon." -- Source of annotation: Marvin or Ruth Sackner.
Villegele Techno-Rapt / Villegle, Jacques., 1999
This book depicts deconstructed collages in color by Villegle from 1996-1999; composite black and white photographs document performances. -- Source of annotation: Marvin or Ruth Sackner.
Villegle / Villegle, Jacques ; Cabanas K ; Hains R ; Restany P ; Dufrene F ; Spoerri D ; Isou I ; Lemaitre M., 2007
Kaira Cabansas contributed a major essay titled " Poster Archeology" that traced the career, work and artistic milieu of Villegle and the New Realists. The book includes over 200 color illustrations of the artist's works and poems. Nicholas Bourriaud conducted an interview with Villegle and Francois Bon wrote about "Peeling Back the Layers of Time." -- Source of annotation: Marvin or Ruth Sackner.
Volume 1: Thematique des Affiches Lacerees / Villegle, Jacques., 1988
Vom Abreissen, 1993
Although the artists were not part of the New Realism group, the iconography of the decollages is in the spirit of that movement. The edition size is 30 but the individual works themselves are unique. -- Source of annotation: Marvin or Ruth Sackner.
[Working Methods] / Jacques Villegle., 2000
The disc holds several .jpg files that document the working methods of Villegle. Contrary to most belief, his decollages are carefully planned and constructed. -- Source of annotation: Marvin or Ruth Sackner.