Second edition. Originally published in 1975. -- Source of annotation: Marvin or Ruth Sackner.

The clippings accompanying the book are reviews. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Robert Rauschenberg and the typography by Les Levine. This was Giorno's first book. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces Bob Cobbing's "15 Shakespeare Haku." The back cover lists a Declaration of Purpose for the Globe Playhouse Trust. One of its stated purposes was to construct a third Globe Playhouse on or near the original site. This purpose came to fruition in 1997, some 25 years after the printing of this book. Tom Phillips did the stage designs for the opening show. This book was also published as a 2nd edition in 1973 and five further editions. . -- Source of annotation: Marvin or Ruth Sackner.

John Keys was an American who emigrated to England in the 1960's. -- Source of annotation: Marvin or Ruth Sackner.

The cover and illustrations in the text were done by Tom Phillips. The book is an anthology of previously published poems, e.g., White Sun Black Sun, Between, Sightings & Further Sightings, Poland/1931, etc. -- Source of annotation: Marvin or Ruth Sackner.

Almost all of this anthology is devoted to linear poetry with the following exceptions: 1) Stepjane Mallarme's concrete poem, "Cette Adorable Bague" (1866) on page 684, 2)William Blake's "Laocoon," a calligraphic picture pom on page 709, 3) Shaker visionary drawings (1843) on pages 710-711, 4) Edward Lear's callgraphic visual poems (1864), on oage 713, 5) Lewis Carroll's shaped calligraphic poem, "A Mouse" on page713 and 6) Apollinaire's concrete poem, "The Bleeding Heart..." -- Source of annotation: Marvin or Ruth Sackner.

Almost all of this anthology is devoted to linear poetry with the following exceptions: 1) Stepjane Mallarme's concrete poem, "Cette Adorable Bague" (1866) on page 684, 2)William Blake's "Laocoon," a calligraphic picture pom on page 709, 3) Shaker visionary drawings (1843) on pages 710-711, 4) Edward Lear's callgraphic visual poems (1864), on oage 713, 5) Lewis Carroll's shaped calligraphic poem, "A Mouse" on page713 and 6) Apollinaire's concrete poem, "The Bleeding Heart..." -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: The fourth volume of the landmark Poems for the Millennium series, edited by Pierre Joris and Habib Tengour is a comprehensive gathering of the written and oral literatures of the Maghreb, the region of North Africa that spans the modern nation states of Libya, Tunisia, Algeria, Morocco, and Mauritania, and including a section on the influential Arabo-Berber and Jewish literary culture of Al-Andalus, which flourished in Spain between the ninth and fifteenth centuries. Beginning with the earliest pictograms and rock drawings and ending with the work of the current generation of post-independence and diasporic writers, this volume takes in a range of cultures and voices, including Berber, Phoenician, Jewish, Roman, Vandal, Arab, Ottoman, and French. The selections are contextualized by a general introduction that situates the importance of this little-known culture area and individual commentaries for nearly each author. -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: The fourth volume of the landmark Poems for the Millennium series, edited by Pierre Joris and Habib Tengour is a comprehensive gathering of the written and oral literatures of the Maghreb, the region of North Africa that spans the modern nation states of Libya, Tunisia, Algeria, Morocco, and Mauritania, and including a section on the influential Arabo-Berber and Jewish literary culture of Al-Andalus, which flourished in Spain between the ninth and fifteenth centuries. Beginning with the earliest pictograms and rock drawings and ending with the work of the current generation of post-independence and diasporic writers, this volume takes in a range of cultures and voices, including Berber, Phoenician, Jewish, Roman, Vandal, Arab, Ottoman, and French. The selections are contextualized by a general introduction that situates the importance of this little-known culture area and individual commentaries for nearly each author. -- Source of annotation: Marvin or Ruth Sackner.

This extensive poetry anthology has brief comments that accompany each poem. It includes an English translation of Cendrars and Delaunay's 'The Prose of the Trans-Siberian and of Little Jeanne of France,' a work held in the original by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This extensive poetry anthology has brief comments that accompany each poem. It includes an English translation of Cendrars and Delaunay's 'The Prose of the Trans-Siberian and of Little Jeanne of France,' a work held in the original by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover design depicts a page of Tom Phillips' A Humument. This extensive poetry anthology has brief comments that accompany some of the poems, -- Source of annotation: Marvin or Ruth Sackner.

The cover design depicts a page of Tom Phillips' A Humument. There are brief comments that accompany some of the poems in this extensive poetry anthology. -- Source of annotation: Marvin or Ruth Sackner.