Conventional non-fiction
Found in 1854 Collections and/or Records:
Stories of the Seven-Headed Sewing Machine / Ladik, Katalin ; Emoke Z. B'Racz, translator., 1992
From Internet: Katalin Ladik is an actor and author, a member of the Bosch & Bosch Group, which was active in Subotica from 1969 to 1976, and now lives in Budapest. She explores language through visual, auditory, and gesticular models, with her works ranging from collages, photography, records, performances and happenings in the city and in nature. Collages in her "Ausgewahlte Volkslieder" (1973-1975) collection are visual poetry composed of letters, music paper, sewing pattern paper and clippings from women's magazines, which also serve as the score for her sound poetry for which she is most famous. Since the 1970s she has given numerous performances, most of which are musical poetry events with an emphasized feminist perspective. In her 1975 performance "Umetnost razmenne -- umetnost promene" (Change Art), the artist and her audience exchanged objects, ideas, stories and, since she is involved in avant-garde music, songs. -- Source of annotation: Marvin or Ruth Sackner.
Straunge Wunder or The Metalirious Pleasures of Neuralchemy / Venright, Steve ; Kirk R., 1995
Richard Kirk illustrated this book. -- Source of annotation: Marvin or Ruth Sackner.
Stray Zale / Ford, Cathy., 1975
Street Flesh / LaChance, Bertrand., 1972
The spelling in some of the poems is patterned after bill bissett. The visual art consists of reproductions of collages by Lachance. -- Source of annotation: Marvin or Ruth Sackner.
Stroker: Henry Miller Commemorative Issue. No.16 / Miller H ; Stettner I ; Ray M., 1980
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Stroker. No.15 / Miller H ; Stettner I., 1980
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Stroker. No.17 / Miller H ; Stettner I., 1980
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Stroker. No.19 / Miller H ; Stettner I., 1981
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Stroker. No.21 / Miller H ; Stettner I., 1981
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Stroker. No.23 / Miller H ; Stettner I., 1982
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Stroker. No.24 / Miller H ; Stettner I., 1982
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
[Stuart Blazer Reading and Chris Bart Lecture] / Jan Baker., 1995
The text is a rendering of notes taken by Baker during lectures by Stuart Blazer and Chris Bart at Rhode Island School of Design. The fabric was silkscreened in India. -- Source of annotation: Marvin or Ruth Sackner.
[Stuart Blazer Reading and Chris Bart Lecture] / Jan Baker., 1995
The text is a rendering of notes taken by Baker during lectures by Stuart Blazer and Chris Bart at Rhode Island School of Design. The fabric was silkscreened in India. -- Source of annotation: Marvin or Ruth Sackner.
Studies in Canadian Literature by Frank Davey / Dudek, Louis ; Souster, Raymond., 1980
Stupidity / Ronell, Avital ; Adorno T ; Acker K ; Artaud A ; Barthes R ; Beckett S ; Benjamin W ; Derrida J ; Heidegger M ; Joyce J ; Valery P ; Eckersley R., 2002
sublingual , 2008
Suburban Monastery Death Poem / levy, d.a.., 1968
The cover design by Barb O'Connelly was made from a mimeo-stencil cut with a can opener. -- Source of annotation: Marvin or Ruth Sackner.
Suburban Monastery Death Poem / levy, d.a.., 1976
Cover photos by Mark Kaufman. Second zero edition. -- Source of annotation: Marvin or Ruth Sackner.
Subways / Rasey, Dave ; levy da ; Berge C., 1964
Published and printed by d.a. levy who used sporadic typographic substitutions of different typefaces for letters of some of the words of the poems. The cover and two prints were designed by A. Sypher, psudonym for Marvin Malone, the publisher of Wormwood Review. -- Source of annotation: Marvin or Ruth Sackner.
Sun & Moon / Schierbeek, Bert ; Vleeskens C., 2003
The calligraphic markings on five pages were done by Cornelis Vleeskins. -- Source of annotation: Marvin or Ruth Sackner.