Conventional non-fiction
Found in 1850 Collections and/or Records:
Visible Visions: The Selected Poems of Douglas Barbour / Barbour, Douglas ; Nichol bp ; Kroetsch R., 1984
Introduction and editing by Smaro Kamboureli and Robert Kroetsch. -- Source of annotation: Marvin or Ruth Sackner.
Viva Africa! / Garnier, Pierre ; Keith, Bill ; Lora-Totino A., 1994
The collaborative book is in homage to Africa. Edited and published by Bob Cobbing. An original typed poem by Bill Keith, "ancestral dancers," that appears in this book is held by the Sackner Archive. Several of the original drawings by Pierre Garnier are also held by the Sackner Archive and catalogues as a separate record. -- Source of annotation: Marvin or Ruth Sackner.
Vor Die Hunde Gehn Gedicht / Putz, Claudia., 1993
The book reproduces four drawings by Brigitta Heidtmann. The drawing done on wood is also by Heidtmann. -- Source of annotation: Marvin or Ruth Sackner.
Vorbei Gewortet Apparat / Zauner, Hansjorg., 1990
Vowel / Vassilakis, Nico., 1989
Voyelles by Arthur Rimbaud / Koch, Peter, editor., 1989
This poem is based upon the five vowel sounds. -- Source of annotation: Marvin or Ruth Sackner.
Waiting for the Soothsayer, 1982
Waiting in Blud / Potts, Charles., 1973
Potts writes his poems in a style similar to bill bissett. There are two different drawings on the covers distributed three each. -- Source of annotation: Marvin or Ruth Sackner.
Walking with the River / Boldman, Bob., 1980
Wanderlost / Diamond, Sally ; Wheatley, Steve., 1977
Warmth in the Human Winter, 1991
Charles Maden selected the poems and designed this book and Tye Bernick painted the covers. -- Source of annotation: Marvin or Ruth Sackner.
Was Ah, 1991
Was Ist Mit Mir Heute Los?, 1994
On page 85, Riha publishes a poem entitled, gomringers schweigen (komplett) in which the empty silent space is filled with gomringer in version a ; in version b, gomringer substitutes for schweigen and the empty space is taken up by schweigen. In addition, 14 concrete poems playing upon the name of gomringer are printed on pages 87-96. -- Source of annotation: Marvin or Ruth Sackner.
Water from the Mountains of Light, 1995
This book does not include any of Kempton's signature typewriter glyphs. The theme deals mainly with preservation of the environment. This edition is one of 25 copies handbound and signed by Kempton for individuals who helped to support its publication. The Sackners were among that group and are so mentioned. -- Source of annotation: Marvin or Ruth Sackner.
Water I Slip Into At Night / Ehrenberg, Felipe ; Randall, Margaret., 1967
The drawings were done by Felipe Ehrenberg and the poems composed by Margaret Randall. The meaning of the ink annotations on pages 31 by a previous owner are unclear. In this ordinary edition, the plates are printed in black and white. In the limited hard cover edition of 30 copies that is also held by the Sackner Archive, the plates are handcolored by Ehrenberg. Page 17 and 18- signed by artist upside down, 1967, hand colored. -- Source of annotation: Marvin or Ruth Sackner.
Water I Slip Into At Night / Ehrenberg, Felipe ; Randall, Margaret., 1967
The drawings were done by Felipe Ehrenberg and the poems composed by Margaret Randall. In this ordinary edition, the plates are printed in black and white. In the limited hard cover edition of 30 copies that is also held by the Sackner Archive, the plates are handcolored by Ehrenberg. -- Source of annotation: Marvin or Ruth Sackner.
Ways Through Bracken / Clark, Thomas A.., 1980
Also designated Jargon 93. The theme of the poetry in this book is landscape. -- Source of annotation: Marvin or Ruth Sackner.
We Are On The Verge Of Ecstacy / Krech, Richard ; Mara., 1967
Mara painted the cover. -- Source of annotation: Marvin or Ruth Sackner.
We Broke Their Hands Away / Weinman, Paul., 1989
We Just Wanted to Tell You / Ball, David ; Hollo, Anselm ; Apollinaire G., 1963
Also designated Writers Forum Poets No.4. -- Source of annotation: Marvin or Ruth Sackner.