Exhibition review
Found in 297 Collections and/or Records:
[Untitled] / Haus am Wasser ; Hainke W ; Olbrich JO ; Schon EM., 1994
This is a compendium of photocopied exhibition reviews of shows held at this museum from 1990-1994. -- Source of annotation: Marvin or Ruth Sackner.
Verbal Hothouse Exhibition Blooms in Wolfson's Centre Gallery / Anonymous; Sackner MA; Sackner RK; Isou I; Guerryam A; Rose P; Seille G; Furnival J; Jackman S; Miccini E; Hubaut J; Jess; Kolar J; Kriwet F; Allen T; Phillips T; Badura M; Brown B., 1994
This is a review of an exhibition in which all the works were loaned from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Versi in Fase di Montaggio:In una retrospettiva a Genova la Poesia visiva di Corrado D'Ottavi / Bentivoglio, Mirella; D'Ottavi C., 1989
Visions of Africa and Ohio, in All Sorts of Materials / Glueck, Grace; Robinson A., 2006
This is an exhibition review of "Symphonic Poem: The Art of Aminah Brenda Lynn Robinson," at the Brooklyn Museum of Art.. The Sackner Archive lent a work to the show. -- Source of annotation: Marvin or Ruth Sackner.
Walker Art Center Calendar. Dec-Jan / Rehfeldt R., 1999 - 2000
The back cover depicts a political poster by Robert Rehfeldt related to the Global Conceptualism exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Wall Paintings and Drawings / Smith, Roberta; Rosen K., 2006
Wallace Berman: Revelation and Mystification / Solnit, Rebecca; Berman W; Jess., 1988
Review of W. Berman exhibition at L.A. Louver Gallery. -- Source of annotation: Marvin or Ruth Sackner.
Weekend. Nov / Phillips T., 1990
This issue includes review by Steven Litt of Tom Phillips' exhibition at the North Carolina Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.
Well-Collected / Rice, Robin; Finlay IH; Phillips T; Seille G; Sackner MA; Sackner RK., 1993
This is a review of "Personal Choice: Selections from Four Penn Alumni Collections" at the ICA at the University of Pennsylvania in which selections from the Sackner Archive were included. -- Source of annotation: Marvin or Ruth Sackner.
What does Islam Look Like? / Cotter, Holland; Koraichi R; Neshat S., 2006
When Islam was sensual / Dannatt, Adrian; Amer, Ghada; Amer G ., 2001
This interview with the Egyptian artist Ghada Amer explains how she draws on a medieval Muslim erotic text for her works of art. -- Source of annotation: Marvin or Ruth Sackner.
When Word's Meaning Is in Their Look / Cotter, Holland; Drucker J; Hirschman J; Wolf A; McVarish E; Straus A; Bernstein C; Bee S; Scher P; Seagram B; Freeman B; Goswell J; Licko Z; Fella E; Ligorano N; Reese M; Burke B; Lehrer W; Meador C; Laxson R; Kellner T; Weiner L., 1998
Cotter reviews "The Next Word" at the Neuberger Museum of Art to which the Sackner Archive lent 25 books and pictures. Several of the works from the Archive are specifically described in the article including a manuscript by Jack Hirschman, a drawing by Anne Wolf, Emily McVarish's pasted-up words locked inside a metal frame, Paula Scher's "Opinionated Map: Central and South America" in which every inch on the Southern Hemisphere that is jammed with critical annotationt. "Elsewhere, the printed text, often taking a cue from advertising, comes to the fore. Blair Seagram's 'U Temp est Us' uses a sleek sans-serif type, offbeat spacing and shifting character sizes to hide phrases within other phrases." -- Source of annotation: Marvin or Ruth Sackner.
Wide Variety of Works at Eaton/Shoen Gallery / Albright, Thomas; Ely T; Fritzius H., 1983
Wird die Macht des Menschen Ihre Sonne Finden? / Weiss, Christina; Patchen K., 1987
With Failure as an Ingredient, He Made His Own Magic / Schwendener, Martha; Gysin B; Burroughs WS., 2010
This is a review of an excellent, detailed exhibition of the lifetime works of Brion Gysin at the New Museum in New York. An exhibition catalogue was issued that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Words in Three Dimensions / Gonzalez, Fernando; Sackner MA; Sackner RK; DeCampos A; Campos C; Silveira W; Phillips T; Dwyer N; Cheung CH; Hartmann W; Gomringer E; Pignatari D., 1998
Fernando Gonzalez reviews the multi media performance of De Campos, Poetry Is Risk, and the concrete poetry movement in Brazil in his first article; he describes the Sackner Archive in the second section. The Sackners are photographed in their gallery. -- Source of annotation: Marvin or Ruth Sackner.