Haiku
Found in 85 Collections and/or Records:
Haiku Canada Sheet: Roving Your Veins. / Beth Jankola., 1988 - 1989
Haiku Canada Sheet: Small bird's small breath. / Ann Goldring., 1996 - 1997
Edited by LeRoy Gorman. -- Source of annotation: Marvin or Ruth Sackner.
Haiku Canada Sheet: the budding maple net renga. / Jame Reichold ; Mary Mobert ; Penny Crosby., 1988 - 1989
Haiku Canada Sheet: Tripping It. / Muriel Ford., 1996 - 1997
Edited by LeRoy Gorman. -- Source of annotation: Marvin or Ruth Sackner.
Haiku Canada Sheet: Walking with the Wind. / Jame Reichold ; Mary Mobert ; Penny Crosby., 1988 - 1989
Haiku on 22 III 09 / Helmes, Scott., 2009
This drawing consists of three horizontally placed bars of paint and is non-verbal. -- Source of annotation: Marvin or Ruth Sackner.
haikus / levy, d.a.., 2002
Im Kalender / Dohl, Reinhard., 1979
Imaginary Women / Phillips, Michael Joseph., 1968
In eclipse / Finlay, Ian Hamilton; Mills, Stuart; Gascoigne R; Seaman D., 1996
Llibre de voliaines / Albalat, Antoni ; Zukofsky L ; Basho., 1999
Albalat's visual poems are reminiscent of Brossa's works. -- Source of annotation: Marvin or Ruth Sackner.
Los Mejores Poems / Tablada, Juan Jose., 1943
These poems were selected by J.M. Gonzalez de Mendoza who also provided an introduction. Tablada's (1871-1945) most famous visual poem Li-Po, is reprinted not in its ideogramatic form (concrete poetic form) but in a linear form. This poem and other visual poems were published as "Li-Po y Otras Poemas, Caracas, 1920. Tablada introduced Haiku poems to Mexican culture. -- Source of annotation: Marvin or Ruth Sackner.
Marvin's Birthday Haiku on 16th II 15 / Helmes, Scott., 2015
Matsushima Ya: 36 Views of a Poem by Basho for Kieko and Morgan Gibson / Young, Karl; Basho; Sackner MA; Sackner RK., 1988
This work is a Young's modification of a Haiku by Basho that can be transilliterated: Matsushima Ya - A A Matshusima Ya - Matsushima Ya. Matshusima is a small archipelago in northern Japan, Ya is one of the abstract, hieretic words used in Haiku according to complex rules, and A (pronounced Ah) is an aparently universal, spontaneous exclamation used as commonly in contemporary America as it was in 17th century Japan. -- Source of annotation: Marvin or Ruth Sackner.
Milkweed: A Gathering of Haiku / Hryciuk, Marshall, editor ; curry jw ; Duggan MB ; Gorman L ; Hryciuk M ; Jankola B ; Amann E ; Basmajian S ; DiMichele B ; Fraticelli M ; Kostelanetz R ; Roseliep R ; Smith S ; Swede G., 1987
This anthology includes examples of the traditional Japanese haiku poetry form, e.g., three unrhymed lines if five, seven, and three syllables, respectively. In addition, this definition has been broadened to consider unrhymed minimalist, concrete, and visual poems ouside of the traditional framework. -- Source of annotation: Marvin or Ruth Sackner.
myesis (Vol.2) / Leftwich, Jim ; Coolidge C ; Perloff M ; Jabes E ; Silliman R ; Nichol bp ; Gaze T ; Dotremont C ; Bataille G ; Rauschenberg R ; Olson C ; Ginsberg A ; Klein Y ; Heidegger M ; Antin E ; Barone D ; Basinski M ; Berry J ; Manfredini F ; Bennett JM ; Sollers P ; Abulafia A., 2006
myesis signifies layers and stages of fragmentation. Chapters or sections as fragments of the book; paragraphs as fragments of chapters; sentences as fragments of the paragraphs; phrases as fragments of the sentences; words as fragments of the phrases; letters as fragments of the words. I read the empty spaces. Myesis is an excessive, minimalist writing. -- Source of annotation: Marvin or Ruth Sackner.
Names / UU, David ; Coleman V ; curry jw ; Ross S ; Nichol bp ; Ball N ; Gilbert G ; lefler P., 2000
According to the widow of David UU, Ingrid Harris, these poems were created in late 1990 (North Vancouver, BC) and 1991 (Hamilton, Ontario). -- Source of annotation: Marvin or Ruth Sackner.