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Haiku

 Subject
Subject Source: Sackner Database

Found in 85 Collections and/or Records:

Haiku Canada Sheet: Small bird's small breath. / Ann Goldring., 1996 - 1997

 Item
Identifier: CC-37829-39709
Scope and Contents

Edited by LeRoy Gorman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996 - 1997

Haiku Canada Sheet: Tripping It. / Muriel Ford., 1996 - 1997

 Item
Identifier: CC-37828-39708
Scope and Contents

Edited by LeRoy Gorman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996 - 1997

Haiku on 22 III 09 / Helmes, Scott., 2009

 Item
Identifier: CC-49516-70562
Scope and Contents

This drawing consists of three horizontally placed bars of paint and is non-verbal. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Llibre de voliaines / Albalat, Antoni ; Zukofsky L ; Basho., 1999

 Item
Identifier: CC-40078-42047
Scope and Contents

Albalat's visual poems are reminiscent of Brossa's works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Los Mejores Poems / Tablada, Juan Jose., 1943

 Item
Identifier: CC-30754-32199
Scope and Contents

These poems were selected by J.M. Gonzalez de Mendoza who also provided an introduction. Tablada's (1871-1945) most famous visual poem Li-Po, is reprinted not in its ideogramatic form (concrete poetic form) but in a linear form. This poem and other visual poems were published as "Li-Po y Otras Poemas, Caracas, 1920. Tablada introduced Haiku poems to Mexican culture. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1943

Matsushima Ya: 36 Views of a Poem by Basho for Kieko and Morgan Gibson / Young, Karl; Basho; Sackner MA; Sackner RK., 1988

 Item
Identifier: CC-38327-40224
Scope and Contents

This work is a Young's modification of a Haiku by Basho that can be transilliterated: Matsushima Ya - A A Matshusima Ya - Matsushima Ya. Matshusima is a small archipelago in northern Japan, Ya is one of the abstract, hieretic words used in Haiku according to complex rules, and A (pronounced Ah) is an aparently universal, spontaneous exclamation used as commonly in contemporary America as it was in 17th century Japan. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Milkweed: A Gathering of Haiku / Hryciuk, Marshall, editor ; curry jw ; Duggan MB ; Gorman L ; Hryciuk M ; Jankola B ; Amann E ; Basmajian S ; DiMichele B ; Fraticelli M ; Kostelanetz R ; Roseliep R ; Smith S ; Swede G., 1987

 Item
Identifier: CC-30382-31798
Scope and Contents

This anthology includes examples of the traditional Japanese haiku poetry form, e.g., three unrhymed lines if five, seven, and three syllables, respectively. In addition, this definition has been broadened to consider unrhymed minimalist, concrete, and visual poems ouside of the traditional framework. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

myesis (Vol.2) / Leftwich, Jim ; Coolidge C ; Perloff M ; Jabes E ; Silliman R ; Nichol bp ; Gaze T ; Dotremont C ; Bataille G ; Rauschenberg R ; Olson C ; Ginsberg A ; Klein Y ; Heidegger M ; Antin E ; Barone D ; Basinski M ; Berry J ; Manfredini F ; Bennett JM ; Sollers P ; Abulafia A., 2006

 Item
Identifier: CC-45695-47903
Scope and Contents

myesis signifies layers and stages of fragmentation. Chapters or sections as fragments of the book; paragraphs as fragments of chapters; sentences as fragments of the paragraphs; phrases as fragments of the sentences; words as fragments of the phrases; letters as fragments of the words. I read the empty spaces. Myesis is an excessive, minimalist writing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Names / UU, David ; Coleman V ; curry jw ; Ross S ; Nichol bp ; Ball N ; Gilbert G ; lefler P., 2000

 Item
Identifier: CC-36515-38316
Scope and Contents

According to the widow of David UU, Ingrid Harris, these poems were created in late 1990 (North Vancouver, BC) and 1991 (Hamilton, Ontario). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Ole: For Poets Only. No.2/Mar / Douglas Blazek, editor ; Richman G ; Bukowski C ; Lowenfels W ; Norse H ; levy da ; Wagner Dr ; Sanders E ; Williams J ; Wantling W ; Locke D ; Eigner L ; Larsen C ; Taylor K ; Billera J ; Blazek D., 1965

 Item
Identifier: CC-48289-69314
Scope and Contents This issue includes da levy's poem "Bourgeoisie Chant." Duane Locke contributes an essay, "The Avante-Garde and Poetry" in which he comments on Concrete Poetry. He states that "Concrete Poetry, in divorcing language from its referential base, creates a vehicle capable only of divorcing a very limited and not very worthwhile experience. Words are not colors or musical sounds, and have an extremely limited force when used for spatial and sound effects per se. Dave Cunliffe of Poetmeat reports that concrete poetry is speading over England, and I am certain that a group of unreflective and unfeeling poets will soon vociferously distribute it over America." Note: Duane Locke has a Doctor of Philosophy degree, specializing in poetry from Donne to Marvell. During his academic career at a less-than-mediocre university (Tampa) which he considers a waste of his life he taught varied courses in poetry from Homer to Michael Palmer. He has had over 5,000 poems published as of August 2005,...
Dates: 1965