The back cover design was done by Wally Depew. Book includes all arrest & trial news articles, 5 inlaid Kryss silkscreens, crtiques by levy's peers, comments by 40 of his friends and fellows, including Bukowski, Blazek, Richmond, et al. All major works of levy printed to date are included: CLEVELAND UNDERCOVERS, NORTH AMERICAN BOOK OF THE DEAD, RECTAL EYE VISOONS, PRAPS 1 AND KIBBUTZ IN THE SKY. According to rjs' introduction, 25 signed copies with extra pages were to be produced. The Sackners are unaware that this special edition was ever published. However, the Sackner Archive holds stapled pages that with the cover title "you can have your fucking city bak." -- Source of annotation: Marvin or Ruth Sackner.

The back cover design was done by Wally Depew. Book includes all arrest & trial news articles, (5 inlaid Kryss silkscreens of the original book are not included), critques by levy's peers, comments by 40 of his friends and fellows, including Bukowski, Blazek, Richmond, et al. All major works of levy printed to date are included: CLEVELAND UNDERCOVERS, NORTH AMERICAN BOOK OF THE DEAD, RECTAL EYE VISOONS, PRAPS 1 AND KIBBUTZ IN THE SKY. According to rjs' introduction, 25 signed copies with extra pages were to be produced. The Sackners are unaware that this special edition was ever published. However, the Sackner Archive holds stapled pages with the cover title "you can have your fucking city bak." -- Source of annotation: Marvin or Ruth Sackner.

Deals with demonstration that Parantela's geometric paintings have different brush strokes compared to other artists like Guttosi, Simonetti, Carmi, Baj, Turcato, etc. who have made similar paintings. -- Source of annotation: Marvin or Ruth Sackner.

CrackerJack Kid aka Chuck Welch. -- Source of annotation: Marvin or Ruth Sackner.

Flexitype heads [allowing the manipulation and distortion of type] were used in this book in co-operation with Cooper and Beatty. To the knowledge of the Editors of this book, it was the first time that Flexitype has been used in any quantity outside the field of advertising. -- Source of annotation: Marvin or Ruth Sackner.

Flexitype heads [allowing the manipulation and distortion of type] were used in this book in co-operation with Cooper and Beatty. To the knowledge of the Editors of this book, it was the first time that Flexitype has been used in any quantity outside the field of advertising. -- Source of annotation: Marvin or Ruth Sackner.

This book documents examples of the political history of Italy with posters and text that include Futurism, Fascism, Nudism, Communism, Rock Music, WWII, and the Vietnamese War among others. -- Source of annotation: Marvin or Ruth Sackner.

The manifesto deals with a new conventional direction the two artists want to take in future years. The rest of the book documents previous undertakings and exhibitions in Neo-Dada and Food Art projects. The Sackners are mentioned as holding work by Eidia. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a Wormwood Review mimeographed broadside. A Sypher (Marvin Malone) designed the cover - depicts '9th' in an ideogram style. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this issue depict mostly visual collages that were sent as Mail art. -- Source of annotation: Marvin or Ruth Sackner.

The content of this issue deals with the Art Strike (1990-1993). -- Source of annotation: Marvin or Ruth Sackner.