Mesostic
Found in 43 Collections and/or Records:
Mail Connection 1 / Crozier, Robin, editor; Cage J., 1981
Me Yes You No Us (090663), 1963
This lettered hand-drawn poem is collaged onto a page of Furnival's "Liber Amicorum 1964-1984," a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mesostic Book, 1984
Each page has been cut to four horizontal segments. A single word, white in color, has been cast into the white background of the page. A mesostic is formed from the middle letters of these four words. Reading down the center of the cover is the word alto which is the second part of the street name for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Mistakes were Made / Klauke, Michael., 2014
The mesotic in this poem is a sentence from Genesis. A high resolution image (600 x 600 dpi) is saved as 58480.jpg for publication purposes, -- Source of annotation: Marvin or Ruth Sackner.
Musica Visiva / Ori, Luciano ; Berio L ; Bussotti S ; Lombardi D ; Cage J., 1987
This book depicts Ori's visual poems set on music score sheets. -- Source of annotation: Marvin or Ruth Sackner.
Musicage: Cage Muses on Word, Art, Music / Cage, John ; Retallack, Joan., 1996
This book takes the form of conversations between Cage and Retallack ranging from his theories of chance, composition, collaborations, and the aesthetics of multi media work. A critical essay traces Cage's earlier years and works. A detailed section of the book is devoted to Cage's Mesostic poetry. -- Source of annotation: Marvin or Ruth Sackner.
Nods: Aqui to John Cage / Cage, John ; Fahrner, Barbara ; Kelm, Daniel E. ; Gallo, Philip., 1990
The text is taken from John Cage's writings, the drawings were made by Barbara Fahrner, the printing was done by Philip Gallo, and the binding was done by Daniel Kelm. Stored with Barbara Fahrner material. -- Source of annotation: Marvin or Ruth Sackner.
Poetic License: Essays on Modernist and Postmodernist Lyric , 1990
point d'ironie. No.48/Jul / Walid Raad., 2008
Prepared Box: A Tribute to John Cage / Carl Solway, editor ; MacLow J ; Ay-O ; Flynt H ; Schneemann C ; Knizak M ; Ono Y ; Ginsberg A ; Brecht G ; Sharits P ; Knowles A ; Frank P ; Moore B ; Johnson R ; Anderson L ; Long R ; Hendricks G ; Shiomi M ; Beuys J ; Patterson B ; Watts R ; Kaprow A., 1987
A Tribute to John Cage was organized by Carl Solway and Allan Kaprow at the Carl Solway Gallery for the Chicago International Art Exposition. This work is stored on shelf near John Cage material. -- Source of annotation: Marvin or Ruth Sackner.
PurgaSquare Postcard: Santa Cruz 1956. No.3 / Holly Anderson., 2006
Ricercari / Accame, Vincenzo., 1968
Wikipedia Vincenzo Accame ( Loano , 1932 - Milan , 1999 ) was a poet , essayist and translatorof Italian. His poetry, essentially rooted in the context of writing, it caters to the visual arts in a constant search and analysis of the possibility of a relationship between word and image, and relationships, creativity, aesthetics, including various types of signs. Such research is also the fundamental theme of his work as an essayist. In 1964 he was the editor for the magazine neoavanguardia Malebolgia . -- Source of annotation: Marvin or Ruth Sackner.
Roaratorio / Cage, John ; Joyce J., 1985
Sculpture Musicale / Cage, John., 1991
Season's Greetings / Jacoby, Ruth., 1980
Sound & Text / Cage J ; Logothetis A ; Ball H., 2005
Sunpoem / Finch, Peter., 1971
The poem describes the sun with seven adjectives that have the letter O. The words are arranged so that the O's are aligned. The place for the final O in the word hollow is empty, with the missing O placed in line on top of the list of words. -- Source of annotation: Marvin or Ruth Sackner.
Tam Tam: Parole in Difficolts'. No.36A / Paolo Albani ; Spatola A., 1983
the henry miller acrostics / Wilmarth, Henry ; Miller H., 1996
Although the title indicates that the poems are acrostics, actually they are mesostics. -- Source of annotation: Marvin or Ruth Sackner.