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Minimalist poetry

 Subject
Subject Source: Sackner Database

Found in 780 Collections and/or Records:

the eschenau summer press & temporary travelling press publi: notebook. No.46 / Robert Lax., 2001

 Item
Identifier: CC-39516-41474
Scope and Contents

This book is a reproduction of one of Robert Lax's notebooks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

the eschenau summer press & temporary travelling press publi: philosophische bemerkungen. No.47 / Herman de Vries ; Wittgenstein L., 2001

 Item
Identifier: CC-39517-41475
Scope and Contents

The pages consist of terse, philosphical messages after Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

the eschenau summer press & temporary travelling press publi: Poem. No.28 / Thomas A. Clark., 1992

 Item
Identifier: CC-27712-28810
Scope and Contents

The poem that is printed on yellow papercard reads, "never failing water, ever lasting flowers." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

the eschenau summer press & temporary travelling press publi: Red Blue. No.41 / Robert Lax., 1999

 Item
Identifier: CC-33843-35512
Scope and Contents

Each page consists of the single printed word, "red" or "blue" handwritten in that color. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

the eschenau summer press & temporary travelling press publi: This. No.37 / Herman de Vries., 1996

 Item
Identifier: CC-27504-28556
Scope and Contents

The poem is a minimalist permutation of the English and corresponding German words, 'this, is, that, where, and here.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

the eschenau summer press & temporary travelling press publi: Three Possibilities. No.21 / Jiri Valoch., 1980 - 1982

 Item
Identifier: CC-27968-29118
Scope and Contents

Each page has been printed with a statement placed in its center from the typed text. These read, (1) three possibilities, (2) the process of reading creates the mystery of this work, (3) the process of reading demonstrates the mystery of this work, and (4) the process of reading abolishes the mystery of this work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980 - 1982

the eschenau summer press & temporary travelling press publi: Three Possibilities. No.21 / Jiri Valoch., 1980 - 1982

 Item
Identifier: CC-27970-29120
Scope and Contents

Each page has been printed with a statement placed in its center from the typed text. These read, (1) three possibilities, (2) the process of reading creates the mystery of this work, (3) the process of reading demonstrates the mystery of this work, and (4) the process of reading abolishes the mystery of this work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980 - 1982

The Happy Catastrophe / Finlay, Ian Hamilton., 1992

 Item
Identifier: CC-11090-11305
Scope and Contents This poem "Be- falls," is based upon Friedrich Schlegel's characterization of the French Revolution. Schlegel (1772--1829) was an important German literary critic and philosopher who lived in Paris for a brief period of time.Internet 2011: In the early 1800s the flame of Schlegel's early radicalism dimmed and his thought moved steadily in a conservative direction. He became disillusioned with the French Revolution, which seemed to end in anarchy, commercialism and military dictatorship. Increasingly, he saw the defence of the Catholic Church and the old social hierarchy as the only safeguards against these disturbing trends, and as the only pillars of spiritual and communal values. His growing conservatism culminated in his conversion to the Roman Catholic Church in 1808 and in his diplomatic and literary activity on behalf of Metternich between 1809 and 1818. In his later political writings, especially his Signatur des Zeitalters (Sign of the Age) (1820), Schlegel defended a...
Dates: 1992

The Lucidities / Williams, Jonathan ; Furnival, John., 1967

 Item
Identifier: CC-27769-28897
Scope and Contents

Two semi-realistic prints on gold foil and two on silver foil by Furnival are laid into the book. Comments on each of his poems are placed by Williams at the bottom of each page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

The Mailed Pinkie / Finlay, Ian Hamilton ; Hincks, Gary., 1982

 Item
Identifier: CC-10808-11018
Scope and Contents

The poems are parodies of events or art. For example, in the illustration depicted in this record, Finlay & Hincks modified Gris cubist portrait of the art dealer, Daniel-Henry Kahnweiler to a cubist portrait of a pipe-smoking snowman and captioned the work, Daniel-Henry Snowman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

the minimus poems / Kennedy, X. J.., 1996

 Item
Identifier: CC-42368-44378
Scope and Contents X. J. Kennedy (b. 1929). Born Joseph Charles Kennedy in Dover, New Jersey, Kennedy published his own science fiction magazine, Terrifying Test-Tube Tales, at age 12. He honed his writing skills at Seton Hall University and earned an M. A. degree from Columbia in 1951. From 1951 to 1955, he served in the U. S. Navy, at one time publishing a daily news-sheet for the entertainment-starved crew of a destroyer at sea. Kennedy notes: "Nothing I have ever written since has been received so avidly." After further study, at the Sorbonne in Paris and the University of Michigan, Kennedy taught English at the University of North Carolina and moved to Tufts University in Massachusetts in 1963. His first poetry collection, Nude Descending a Staircase (1961), won the Lamont Award for that year. A freelance writer since 1979, Kennedy prefers writing within the constraints of rhyme and metrical patterns. He is the author of many collections of poetry for young people including Talking Like the...
Dates: 1996

The Morality of Language / Klauke, Michael., 1989

 Item
Identifier: CC-08137-8298
Scope and Contents

The image consists of a single word, Pornography, drawn in paint in the center of the paper almost as one would might expect in an illuminated manuscript. Dripping down from this word is a layer of muted powdered graphite that serves as a metaphorical contrast of the beauty of the written word and the intent of its meaning. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989