Scope and Contents

The horse appears to be the theme of this installation. Mirror writing is often present in Gerz's work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Fingerpainting by Blaine appears on title page above inscription and signature. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Based on a reversed drawing by Leonardo Da Vinci, the image is reversed when reflected in the mirror at the correct angle. Dupuy installed a mechanism so that the clock runs backward. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Based on a reversed drawing by Leonardo Da Vinci, the image is reversed when reflected in the mirror at the correct angle. Dupuy installed a mechanism so that the clock runs backward. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This drawing is done in a grid with poetic text around the borders and the words europa wand forming the center blocks. The completed poem resembles an Albers "Homage to the Square" picture. -- Source of annotation: Marvin or Ruth Sackner.

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The book consists of several brief essays, some of which are illustrated with drawings by Ayrton. -- Source of annotation: Marvin or Ruth Sackner.

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This issue features Outside Art and Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The title and artist's name are handwritten backwards (mirror writing) formed as a negative from a painted base on the covers of the portfolio. The mirrored, thickened and obscured handwritten words of the prints appears to have been done as an erasure or frottage. French Wikpedia: Gérard Duchêne (Lille Lille 1944- November 6, 2014) is a contemporary artist and French writer. Gérard Duchêne involved from 1971 to 1974 IN group Textruction , which he co-creator, with Georges Badin , Gervais Jassaud , Jean Mazeaufroid and Michel Vachey . While continuing to explore other avenues, from written it will pursue an original visual work, the Journal of It, playing with an aesthetic diversion mingled with great sensitivity the material and color. He published his first poems in the 1960s and still remain close to writing poetry, as a writer and as a reader; He has also published workshop notes. His interest in the book has never wavered, whether to include in their own work or be associated...