Picture poetry
Found in 1791 Collections and/or Records:
Flotilla, 2000
The images on the clear acetate sheets are great sailing ships. -- Source of annotation: Marvin or Ruth Sackner.
Flower of the Fal, 1981
One of six glass lenses designed by Finlay and interpreted by Stevens, engraved on two sides with a decorative representation of a ship, its name and inscription composed by Finlay. The inscription reads "In a Blossom of Foam" The printed, folded brochure describes and documents the six glass lenses. -- Source of annotation: Marvin or Ruth Sackner.
Flower Stem Pot / Depew, Wally., 1990
Flowers: Fill in the Flowers with Colours / Finlay, Ian Hamilton; Downie, Jim; Clark TA; Clark L., 1977
This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.
Flowers: Fill in the Flowers with Colours / Finlay, Ian Hamilton; Downie, Jim; Clark TA; Clark L., 1977
This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.
Flowers for Midwinter's Day December 22, 1964
Design by Sam Kirkpatrick. -- Source of annotation: Marvin or Ruth Sackner.
Flowers for Midwinter's Day December 22, 1964
Fluxus and Friends Going out for a Drive, 1983
Each page reproduces a colored polaroid photograph taken by Ben. Most photographs depict toys or dolls and are captioned by Ben with the name of the artist written in ink. -- Source of annotation: Marvin or Ruth Sackner.
Folds / Finlay, Ian Hamilton; Clark, Thomas A.; Clark, Laurie., 1998
The two folded cards, one in brown and one in white color have a similar phrase, "folding the last sail" and "folding the last sheep," respectively. -- Source of annotation: Marvin or Ruth Sackner.
Follies War Special / Finlay, Ian Hamilton., 1987
The text "Barr the traitor reads his sentence" is illustrated by a hand holding a plumed pen and writing a French political message refers to Finlay's problem with the citation of the Garden Temple in Ian Barr's (Chairman of the Saltire Society - motto Scotland) sponsorship of a book on Architectural Follies in Scotland. -- Source of annotation: Marvin or Ruth Sackner.
follow the follow / curry, jw., 1985
This drawing by qaan: lore from the Sinillogical Translations Volume 4 written by curry & Laba was redrawn by curry. It appeared in Devil's Artisan No.16. -- Source of annotation: Marvin or Ruth Sackner.
Following the Footsteps of Nature / Furnival, John., 1987
This line drawing depicts a labyrinth from a horizontal-vertical aspect with a central figure of Mother Nature followed by a man, dressed in a robe, who holds a lantern. -- Source of annotation: Marvin or Ruth Sackner.
for a lifetime of shooting - buy a gun! / Goswell, Joan Iversen., 2003
This depicts a Attorney-General John Ashcroft holding a rifle and sitting on a large pile of red colored, spent rifle bullets. -- Source of annotation: Marvin or Ruth Sackner.
for a lifetime of shooting - buy a gun! / Goswell, Joan Iversen., 2003
The image depicts Attorney General John Ashcroft, holding a rifle and sitting on a large pile of bullets. -- Source of annotation: Marvin or Ruth Sackner.
for john furnival split dot (120763) / Houedard, Dom Sylvester., 1963
The image is formed solely from slashes. -- Source of annotation: Marvin or Ruth Sackner.
for 'lemon' read 'zulu' / Finlay, Ian Hamilton; Clark TA., 1998
For My Birthday / Finlay, Ian Hamilton., 1995
Adapted from a detail of a sail boat painting by Christopher Wood 1901-1930. -- Source of annotation: Marvin or Ruth Sackner.
For Peace / Diotallevi, Marcello., 1997
For Peace / Diotallevi, Marcello., 1995
For the Temple of the Greeks Our Homesickness Lasts Forever / Finlay, Ian Hamilton; Harvey, Micheal., 1997
The image of this picture poem is a stylized, destroyer ship in side view silhouette. The smoke stacks and turrets are labeled with the letters A, B, C, and D. The letters pertain to Greek architectural columns for their temples, viz., Doric, Ionic, Corinthian, and Composite. The poem signifies Finlay's love of the neo-classical period, the architecture in the late 18th and early 19th century prevalent in America and Europe that was characterized by wide-spread use of Greek orders and decorative motifs. -- Source of annotation: Marvin or Ruth Sackner.