The cover of this edition is printed in red and black with a totally different style than the earlier issues. Papercuts were made by John Picking and Pete McGinn. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition with its title printed in blue ink. Papercut illustrations were made by John Picking and Pete McGinn. The text of the poem is composed with a Glasgow dialect. -- Source of annotation: Marvin or Ruth Sackner.

The image on this card reproduces a stamp for the exhibition, "Imagined Lands" at the City Art Centre in Edinburgh, 1996. It depicts the name of an old fishing boat and the new European Union type of fishboxes as a comment on the decline in the national fisheries. -- Source of annotation: Marvin or Ruth Sackner.

Gleichen in English means to be alike. -- Source of annotation: Marvin or Ruth Sackner.

On the verso of prints, it is mentioned that only 200 copies were made; however, several individual prints from this series are also held by the Sackner Archive. In addition, Patchen's book, "The Moment," also held by the Sackner Archive, includes several of these prints but the paper on which they are printed differs between the two books. -- Source of annotation: Marvin or Ruth Sackner.

Both the print and the folder (lighter color than print) depict four identical Scottish fishing ships from the bow aspect. One has the number LH815. There is a cryptic caption for the Glossary, viz., "Leman, (Scots) Sweetheart." -- Source of annotation: Marvin or Ruth Sackner.

Edeline, the author of this book, analyzes Finlay's works and provides critical commentaries on several examples which are reproduced. These include among others Sea Poppy 2, Pool, Lullaby, Wave Sheaf, Rhymes for Lemons, National Flags, Barges, Estuary Cupboards, Star/Steer, Sea Ms, Sails/Waves, Iron Ship, Eastertide, Homage to Seurat, Homage to Pop Art, Homage to Kahnweiler, Homage to Max Bill and Homage to Jonathan Williams. -- Source of annotation: Marvin or Ruth Sackner.

Finlay uses the gourd as a metaphor for aircraft carrier based fighter airplanes. -- Source of annotation: Marvin or Ruth Sackner.

Finlay uses the gourd as a metaphor for aircraft carrier based fighter airplanes. -- Source of annotation: Marvin or Ruth Sackner.

Jo Hincks did the linocuts illustrating Finlay's one-word poems that appear, one to each page. Harry Gilonis provided the commentary on the poems and the concept of the one-word poem. He explains the background behind the Nautical terms employed by Finlay as the one-word poem relating to the various titles. This book was published on the occasion of an exhibition that was designed by Finlay and Simig. Colin Sackett laid out the typography. -- Source of annotation: Marvin or Ruth Sackner.

There are three versions of this piece. -- Source of annotation: Marvin or Ruth Sackner.

There are three versions of this piece. -- Source of annotation: Marvin or Ruth Sackner.

There are three versions of this piece. -- Source of annotation: Marvin or Ruth Sackner.

Roth's name on the cover of this pamphlet is spelled Diter Rot. -- Source of annotation: Marvin or Ruth Sackner.

The inside cover of the folder depicts a photograph of a woman in a flapper dress and the back cover contains a typical Lax poem. Edited by David Kilburn. -- Source of annotation: Marvin or Ruth Sackner.

This book was published on the occasion of a traveling exhibition on the theme of boats and voyages. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in editions of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.