The card depicts a sepia toned photograph of a soldier. -- Source of annotation: Marvin or Ruth Sackner.

This booklet depicts one to two cartoons or picture poems to a page. -- Source of annotation: Marvin or Ruth Sackner.

This is a copy of the original hand stitched piece purchased by the Sackner Archive from the exhibition in the Museum of Design in New York titled "Pricked.' -- Source of annotation: Marvin or Ruth Sackner.

This drawing was shown at the Museum of Design in New York in the exhibition entitled "Pricked" (2007). -- Source of annotation: Marvin or Ruth Sackner.

This is a copy of the original hand stitched piece purchased by the Sackner Archive from the exhibition in the Museum of Design in New York titled "Pricked.' -- Source of annotation: Marvin or Ruth Sackner.

This drawing was shown at the Museum of Design in New York in the exhibition entitled "Pricked" (2007). -- Source of annotation: Marvin or Ruth Sackner.

The images in this book consist of varied arrangements of hair pins, some with titles. -- Source of annotation: Marvin or Ruth Sackner.

This is a title page for a series of prints dealing with the English town of Nailsworth and its environs where the Welsh poet W.H. Davies spent the last years of his life. The collaged addition is a map of the area. Stored in the Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.

The etching or woodcut black and white image on the front and back card covers by Hincks depicts three fishing boats. -- Source of annotation: Marvin or Ruth Sackner.

Image on card is taken from Jacques Blanchard's classical painting, "Paris and Oenone" that shows the two lovers seated next to a tree with a written caption on the trunk. The caption reads, " Five oval plaques inscribed with the names of classical lovers, and five rectangular plaques naming particular species of trees, were exhibited in the 'English Garden' in the summer of 1984." -- Source of annotation: Marvin or Ruth Sackner.

The image of the flag is an empty rectangle serving as a metaphor for Utopia according to Finlay where no individual nations exist. -- Source of annotation: Marvin or Ruth Sackner.

Image conmsists of three armored black tanks lined up horizontally on a background of a red colored diamond shape. The red color element signifies shelling and destruction of these tanks by their enemy. -- Source of annotation: Marvin or Ruth Sackner.

In this card, Finlay interprets Samuel Coleridge statement "Nature is the Devil in a fancy waistcoat" to "Nature is a storm trooper in a camouflage smock." -- Source of annotation: Marvin or Ruth Sackner.

Finlay substitutes the words, storm trooper and camouflage smock for the Devil and fancy waistcoat, respectively, in the following quotation from Samuel Taylor Coleridge, "Nature is the Devil in a fancy waistcoat." -- Source of annotation: Marvin or Ruth Sackner.

Wilma Paterson contributed a music score on "julie.' Finlay contributed two pages on "Unconnected Sentences on Gardening" including "A Garden is not an object but a process, Modern Sculpture is "Wilfuly" ignorant, Technology - Epic Convenience, A liberal's compost heap is his castle, and Weather is the chief content of a garden, Camouflage is the last form of classical landscape painting - It represents not 'this' tree but fields and trees, etc. -- Source of annotation: Marvin or Ruth Sackner.

This image of a World War I armored vehicle is camouflaged with red and yellow stripes causing a play on words, viz., necktank vs. necktie. -- Source of annotation: Marvin or Ruth Sackner.