A Michaelangelo-like nude male figure reaches out his arm and points his finger at seven luxury British cars. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

This typed work was depicted in Riddell's 1975 book "Typewriter Art." -- Source of annotation: Marvin or Ruth Sackner.

Saunders indicates on verso that photograph was taken at "Institute of Advanced Thinking." -- Source of annotation: Marvin or Ruth Sackner.

These sheets consist of one photograph of Bob Cobbing and Jennifer Pike and two photographs that have been manipulated. -- Source of annotation: Marvin or Ruth Sackner.

Provides line by line instrictions with typewriter chacters for portrairs of British royalty and images of animals. -- Source of annotation: Marvin or Ruth Sackner.

Provides line by line instrictions with typewriter chacters for portrairs of animals and celebraties. -- Source of annotation: Marvin or Ruth Sackner.

This black and white portrait depicts Tomlinson holding the skull of an animal. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

The two men in this portrait cannot be identified. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

According to an article in Life Magazine July 20, 1953, the artist (1912-1973) worked in the 1930s to 1950s as a typist in the Barcelona police department. Coming home to her apartment after work, she sat down at an old Underwood typewriter and made true images from copies of old paintings and photographs using 17 different colored ribbons and a mixture of letters and punctuation marks without requiring brush or pencil retouching. She typed on gesso coated canvas. The vividly colored typewriter pictures were commissioned by Barcelona art patrons. An internet search failed to uncover any of her work in Spanish museums. The individual typewriter characters were often blurred by the varnish finish sprayed on the completed pictures. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Robert Rehfeldt box. -- Source of annotation: Marvin or Ruth Sackner.

"RUTHOPIA" is stenciled behind the glasses, seen through the lens.

Double portrait of Ford and Pound face to face. -- Source of annotation: Marvin or Ruth Sackner.

The image printed on heavy paper depicts the face of Georges Perec surrouded by letters, numbers, circles and a grid. The original print was made in 1982. This copy was made at a later, unknown date. Stored in Perec box. -- Source of annotation: Marvin or Ruth Sackner.

The image appears to have been influenced by a combination of Picasso ans Twombly. -- Source of annotation: Marvin or Ruth Sackner.